I Am Kalam

After returning to his drowned village in search of his family, Gunu finds himself haunted by the past as another cyclone approaches, pulling him into a journey through grief, memory, and the eye of the storm.

In a village affected by climate change and scanty rainfall, a blind farmer strikes a deal with the debt recovery agent to save his son from a debt trap.

Tomboy Shreya coaxes her widower father Dev to take her to their ancestral village in Haryana something he is not too keen about. Eventually she gets her way and along with her dad, her brother Sam and granny, she reaches her destination only to understand why her father had been putting off the trip for years.

A sudden call brings back Priya, a financial analyst from London to Odisha. A series of strange events follow as she sets on the search for her missing father, an activist who was imprisoned for siding with an indigenous tribe. Against the backdrop of bauxite mining, unexplained deaths and displaced tribals, Priya discovers an international nexus connecting various cities and Jengaburu. Why is the small mining town of Jengaburu at the epicentre of this?

The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors.

Jatin, Harry and Rohan head to Manali for one last trip before Jatin gets married. In Manali, the group of friends meet Natasha and are set forward on a journey of rediscovery.

Halkaa is a story of a eight year old boy who lives in the slums of delhi and wants proper access to a toilet. This story is of a boy who is a real life Superhero who fights against the system to get what he wants and deserves.

Started in 2018, the project – comprised of 11 segments by filmmakers from all around the world – reflects on the intertwined relationship between human society and nature that is aggravated by climate change on multiple scales, hinting at possible solutions.

Scientist Anandi visits Hanuman Island to perform the last rites ritual for her father. She is immediately placed in quarantine in a remote hotel due to a pandemic caused by a machine-dominant world. When a mysterious star starts following her, she escapes and seeks refuge with a mother and her transgender daughter.

Twelve international filmmakers create connections between humans and animals, through biodiversity, ecosystem, climate change, environment and water risks.

Babu, who becomes Bijubabu in later phase is a professional thief. Once he happens to enter into Anand Bhavan, ancestral house of late Bijubabu, The popular leader of Odisha. Babu manages to steal the spectacle of Bijubabu. And eventually when even Babu wears the spectacle he talks and behaves like Bijubabu. In a parallel story line Ragini, who is interested to be a film actress faces opposition from her father. And as her father fixes her marriage Ragini escapes from her house and stays with Nirmal, a brotherly character to her. She does journalism and does a sting operation with Nirmal against corrupt politician Vijendra and Rajendra. Simultaneously Babu too is after there corrupt politician. And as the story grown Babu falls in love with Ragini and finally Babu and Ragini unmask the corrupt politicians and take revenge of Nirmal's death.

Two women live in a decaying ancestral house that mirrors their emotional stagnation. Grappling with trauma, both find different ways to cope and escape from the pain, until they stumble upon something that might change their lives forever.

A visually challenged boy from the mesmerising village of Chilika lake of Odisha defeats age old blind Odia faith.