Women in the Mirror

A young woman is forced by circumstance into a loveless marriage while still in love with another. This episodic tale follows their story through three decades of bitter conflict which engulfs their children and those around them.

Two interwoven stories. The first is a biography of anarchist Sakae Osugi which follows his relationship with three women in the 1920s. The second centers around two 1960s students researching Osugi's theories.

A married woman lets her lover take naked pictures of her. The photos end up in possession of a man who starts blackmailing the couple.

Rikiya Shoda is an engineer working for the Atomic Agency in Japan. One day, his wife Nanako returns home with a lost teenager called Ayu. A man, pretending to be the father, comes to get her back; Ayu keeps telling him that Rikiya and Nanako are her parents. Through this disruption, Rikiya suddenly starts remembering his youth as a revolutionary.

Yoshida's first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a "good-for-nothing" from a poor background falls in love with the young secretary of his rich friend's father. The woman senses good in him and tries to lead him on the right path.

In an isolated mountain resort, a woman gets involved in a love triangle between herself, her volatile lover and her ex-boyfriend, for whom she had platonic feelings.

A spontaneous romance blooms between Kawamura, a professor touring Europe, and Naoko, a married woman living in Paris, scarred by the Nagasaki atomic bombings. The two protagonists travel around Europe trying to find themselves.

Young orphan Onimaru is adopted by the wealthy Yamabe family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Kinu. The two share a remarkable bond that seems unbreakable until Kinu, feeling the pressure of social convention, suppresses her feelings and marries Mitsuhiko, a man of means who befits her stature. Onimaru vows to win her back.

An old woman has died and her widower with dementia confesses to killing her. After this, the story goes back in time to show the events leading up to her death.

Experienced shipyard worker Shimazaki gets an offer of free lodging from his employer in the company seaside rest house if he agrees to see to its running. After moving in, Shimazaki finds out that this will also mean taking care of a flock of youngsters, and he soon becomes their none-too-successful warden. At work the boys are disciplined, as soon as they return to their dormitory however they turn into an unmanageable mob.

As a young woman, Oriko condemned her widowed mother for openly pursuing relationships with younger men. After her mother passes away, she finds herself in an unhappy, loveless marriage and begins to understand her mother’s actions.

All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. São Paulo is the largest city of the Southern Hemisphere, with an incessant dynamics of cultural mixtures, with immigrants of all the world and migrants of all parts of Brazil. The gathering of these peculiarities are seen through the 13 film directors's sensibilities and their segments.

A freestyle biopic of Ikki Kita, the ultranationalist intellectual whose ideas inspired the failed military coup in 1936.

Just after WW2, a romance between an innkeeper and a man with tuberculosis unravels near a thermal spring.

Shingo and Ritsuko have a baby: Takashi. They happen to be a happy couple, but soon Ritsuko wants to know who is the true father of Takashi, born by artificial insemination.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.