JONGNO, WINTER

A documentary sharing the story of five women captured and enslaved by the Japanese military as "comfort women" during World War II.

In 1992, political prisoners from North Korea settled in the South Korean town where filmmaker Dong-won Kim lived. Sent to South Korea as spies during the war, they spent 30 years in jail. How did they endure the many years of torture? What will become of them now that they have been released? Twelve years in the making, Repatriation is a very personal view of a country divided by an ongoing cold war.

When it was decided that the 88 Olympics would be held in Seoul, the residents of Sanggye-dong were forced from their homes and they struggled against the government to at least guarantee them new residences.

Commissioned by South Korea's National Human Rights Commission, If You Were Me is an innovative omnibus film project to promote tolerance and human rights and shed light on the hardships disadvantaged people face in Korea. After the success of the first anthology, a second series, If You Were Me 2, was released this year. Five notable Korean directors - Park Kyung Hee (A Smile), Ryoo Seung Wan (Crying Fist), Jung Ji Woo, Jang Jin (Guns & Talks), and Kim Dong Won - participated in the second installment, creating shorts on human rights issues of their choosing.

In 2000, in the era of inter-Korean reconciliation, 63 non-converted prisoners were repatriated to the North, and a 2nd repatriation movement was launched in 2001 but failed again and again in later years. As of 2022, the average age of the surviving secondary repatriation applicants is 91.

The sequel of "Heangdangdong People", a documentary about a struggle and dream for community of Heangdangdong people against the unfair removal of their housing. Heandangdong people in the removal region finally finished the struggle in the victory after the 3-year-struggle against the removal and they are now settled in the provisional residential building. They have gradually overcome poverty and have been establishing a local community through a production cooperative and a credit cooperative to materialize their dreams. Headangdong people's story with their successful community suggests a concrete way and hope about an alternative life.

As one quotes in the movie, Fr. Jung was a 'real' human who can purely meet another person as a person itself transcending not only the boundary of religion but all human border such as race or nationality. This doesn't mean he was a great perfect human being. He was an 'ordinary' person who easily turns sulky, plays drunken frenzy, and had stinky feet. If there was anything special about this man, it would be that he had proactively chosen poverty and knew how to enjoy that poverty.

This is a documentary about 6 days of struggle at Myong-dong cathedral, which triggered the struggle of the June 1987. In the night of 10th June the protest group was chased by the police, came into the Myong-dong cathedral by accident. Their conflicts and hope, political situations of the time are seen in the film with various sources and witnesses. This film seeks hope for today while showing critical reinterpretation on the struggle of the June 1987.

Unlike “trilogy on torn-down neighborhoods,” (The Sang-kye dong Olympics, Haengdang-dong People, and Another World We Are Making), Standing on the Edge of Death calmly describes how urban poverty was formed, how they live, and why more than 20 of them committed suicide at once in 1990. In this film, the director explains that people who moved from poor countryside formed urban slum, and because they did not have formal education or asset, they worked as day laborers. Residence was one particular problem they faced as they lost their main dwelling area due to redevelopment. They start their day at dawn and work till night. However, these hard-working people do not receive any recognition from the society.

This documentary is a director Kim Dong-won’s only autobiographical film that was produced as a request from the video festival. The film starts with the director’s son declaring that the film should start with a blank background with a title reading “We will now start Tekken Family” and then the director’s voice asking his son “ Have you ever seen a film start like that?” The whole family sits in front of a game machine playing Tekken and having a joyous time. This image of the family is very much different to the passive and disconnected image of a family portrayed in People in the Forest of Media.....

The Father Moon Ik-hwan had been imprisoned for inaugurating the National Security Law after visiting North Korea. However Korean people’s desire for reunification heated up the whole country and Moon Gyu-hyeon and Lim Su-Gyeong visited North Korea. That means Father Moon’s visit to North Korea triggered Korean people’s desire for reunification. This film represents the Father Moon’s point of view on and people’s movement on reunification through influence of his visit in North Korea in 1989.

This film shows that ‘how mass media dominates our daily life’ in a mixed format of drama and documentary. Part 1 is a drama represents the process of a human life from the childhood when the person first encounters with TV to how TV dominates him while growing up. Part 2 is a documentary of a group of people who banned from TV for a month. This experiment makes us think about what TV means to our life.

The happy lives of Haengdang-dong residents are overturned when their land is slated for redevelopment.

Father Sao Roberto is unique among many foreign missionaries dedicated to the Korean democratic movement.

James contemplates the meaning of life on his birthday, as he tries to reconcile his Christian upbringing with the stark realities of life. The next day, a letter from his godfather provides much needed comfort