Aboriginal Architecture, Living Architecture

Actor, dancer, and choreographer, Chief-Moon is founder of the Coyote Arts Percussive Performance Association, and member of the Blackfoot Confederacy, member of the Blood Band. Through his art and his life, Chief-Moon's story is one of cultural survival. Themes of his dance creations begin with his people's traditional stories, his attachment to the land and his community, as well as the inner conflict he faces in existing within the Aboriginal culture and the wider community. The documentary also explores his identity as a First Nations two-spirited gay man and a father of three adopted children. His art and his life cross boundaries. Challenging the cultural construct is never easy; but Chief-Moon does.

For over 50 years, the Kahnawake Mohawks, of Quebec, Canada occupied a 10 square block area in the North Gowanus section of Brooklyn, which became known as Little Caughnawaga. The men, skilled ironworkers, came to New York in search of work and brought their wives, children and often, extended family with them. The story of the Mohawk ironworkers is an important one and is one that has been told and continues to be told through documentaries, newspaper and magazine articles. Yet the stories of Kahnawake Mohawk women who lived in Brooklyn have gone untold.

This documentary focuses on the goose hunt, a ritual of central importance to the Cree people of the James Bay coastal areas. Not only a source of food, the hunt is also used to transfer Cree culture, skills, and ethics to future generations. Filmmaker Paul M. Rickard invites us along with his own family on a fall goose hunt, so that we can share in the experience.