Sediments

Madai, Shanel, Rosmer, and Victoria have been forcibly displaced from their homes and, after a long and dangerous migration journey in search of a better future in the United States, their dreams are cut short. However, their paths cross at an LGBTQ+ shelter in Guatemala City, where they receive support, protection, and, most importantly, form a deep friendship. Together, they discover their inner resilience and find new opportunities to rebuild their lives, holding on to the hope that, despite the challenges, the future still offers them a new beginning.

Raphi, from France, fantasises about romances with princes, and about starting a traditional family. But in reality, things aren’t like that. She works in a call centre in Barcelona, struggles with at times embarrassing dates, and is diagnosed by her therapist as having gender dysphoria. During this confusing, yet valuable period, we follow this trans woman as she makes her transition, as well as in her everyday life. She talks candidly with colleagues, queer friends, and the men she meets through apps. In spite of all the advice she receives, it turns out that it is mostly time and experience that will help her embrace her place in this world.

Luz emigrated to Italy in search of a better future. In Colombia she has left his two years son by his family. But her European dream begins to truncate and turn into a series of misfortunes. She assumes her new social status and start from scratch, working in the cleaning sector. Until unexpectedly she meet Fran, a person who breaks all schemes. Luz and Fran decided to own their own lives, with the world ahead, and Rome at their feet.

Natalia Nikolaevna lives 400 km from Havana, in the city where the first nuclear power plant would be built in Cuba. He arrived 20 years ago from the USSR, to be reunited with her husband and work as an opera singer. In 1992, he began the great crisis, known as the Special Period. Natalia divorced, and rooted in the place gradually discovered him as the most hostile of spaces. Single mother without job opportunities, invented their own stage-a park-, their own -the spectators tourists- and their own livelihood: what gave him for his arias.

Dacil and Roberto are classmates in the faculty of Fine Arts. Their relationship starts to change when Simon, their video arts teacher, gives them as a final project a self-portrait, using video as the means of expression.

After having suffered two strokes, and ending up ill and half-blind, Ricardo is now seeking euthanasia. However, before he dies, he wants to reconcile with his two sons because throughout the years he allowed their relationship to fade. Adrian decides to help him achieve it, capturing in the meantime the journey of different people towards a commonplace, and speaking emotionally yet humorously, and lightly yet profoundly about mistakes and forgiveness, the passing of the times, choices and their impact, as well as the unseen ties that bind together a family