The House Without a Christmas Tree

Addie tries to invite her father's sworn enemy over for Thanksgiving dinner in the hopes of ending their long-standing feud.

Addie and her friends are excited over the visit of a celebrity, a local woman who became a successful Broadway actress and has returned home for a short time following the death of her mother. She brings the woman home for the family Easter celebration, and the little girl's concern and kindness help the woman see the promise of better days ahead.

Addie becomes jealous when her widowed father starts to woo a beautician.

Workers in an auto parts warehouse in 1933 New York City inhabit a bleak, dead-end world in the depths of the Depression where, at least, they have jobs. Introduced by its playwright, Arthur Miller, it was the first in a series of NET Playhouse programs concerning life in America during the Depression years.

In post-war Cape Breton, a doctor's efforts to tutor a deaf and mute woman are undermined when she is raped, and the resulting pregnancy causes scandal to swirl.

Long-running anthology program sponsored by Hallmark Cards. Beginning in 1951 and continuing into 2019, the series received 80 Emmy Awards, 24 Christopher Awards, 11 Peabody Awards, 9 Golden Globes, and 4 Humanitas Prizes. Early seasons were a weekly live drama, eventually transitioning to videotaped and then filmed productions broadcast as occasional specials.

This syndicated anthology series staged a different play every week covering all genres, dramas, comedies, musicals, fantasies, mysteries, et al, utilizing some of the best talent appearing on Broadway.

Mama Malone is an American sitcom that aired on CBS from March 7, 1984 to July 21, 1984 starring British character actress Lila Kaye as the title character, an Italian homemaker who hosts a cooking show from her Brooklyn apartment. She never gets to properly instruct viewers on her recipes because friends and family members keep interrupting her show.

The crime busting techniques of Iroquois detective John Hawk of the New York City District Attorney's office.

Get Smart is an American comedy television series that satirizes the secret agent genre. Created by Mel Brooks with Buck Henry, the show stars Don Adams, Barbara Feldon, and Edward Platt. Henry said they created the show by request of Daniel Melnick, who was a partner, along with Leonard Stern and David Susskind, of the show's production company, Talent Associates, to capitalize on "the two biggest things in the entertainment world today"—James Bond and Inspector Clouseau. Brooks said: "It's an insane combination of James Bond and Mel Brooks comedy." This is the only Mel Brooks production to feature a laugh track. The success of the show eventually spawned the follow-up films The Nude Bomb and Get Smart, Again!, as well as a 1995 revival series and a 2008 film remake. In 2010, TV Guide ranked Get Smart's opening title sequence at No. 2 on its list of TV's Top 10 Credits Sequences, as selected by readers.

Archie Bunker, a working class bigot, constantly squabbles with his family over the important issues of the day.

A sociopathic socialite plots her father's murder.

Unusual relationships, a feminist awakening and a career in art history mark a baby boomer's life, ages 16 through 46.

Four Southern Florida seniors share a house, their dreams, and a whole lot of cheesecake. Bright, promiscuous, clueless and hilarious, these lovely, mismatched ladies form the perfect circle of friends.

A man becomes part of a secret society of people who live in a department store and quickly falls in love with their leader’s young maid.

Recreating the one-man show he starred in on Broadway, Hal Holbrook portrays Mark Twain as a 70-year old humorist who skewers politicians, newspapermen and so-called patriots in this 90 minute monologue. Holbrook adapted Twain's own words for a commentary on slavery, religion and politics, mixing the satire with comic yarns about life on the Mississippi and a very effective ghost story. The show's highlight are the lengthy passages from "Huckleberry Finn".

The chronicle of an average American housewife who just happens to be addicted to gambling.

In the 1930s, an aging film producer and his much younger wife live separate lives. Whenever a young starlet catches the husband's eye, he eventually manipulates her onto his casting couch. Natica Jackson (Michelle Pfeiffer) is a Hollywood star who is far from innocent, but she finds herself falling in love with a married man who has several children.