Luz, Câmera, 50 Anos: Hoje é Dia de Maria - O Filme

A melancholy Dom Casmurro, who writes a book to tell his vision of his own story and also to restore, in old age, the moments lived in adolescence alongside the great love of his life, Capitu, a girl who seduced him with her "hangover eyes".

Documentary on the research for the production of the film Lavoura Arcaica (2001), based on the novel of the same name by Raduan Nassar. Two filmmakers take a trip with an uncertain destination through the mountains of Lebanon, Syria and southern Spain.

Facing a financial crisis, Guilherme receives an ultimatum: he must pay his overdue rent within 24 hours or face eviction from the Copacabana apartment—located in Rio de Janeiro's South Zone—where he lives with his family: his wife Joana, his children Kika, Beto, and Tatá, and his father Olavo. Left with no other option, they move into a large house in São Cristóvão (in the North Zone) lent to them by Joaquim, a Portuguese friend. The family struggles to adapt to the suburban neighborhood and cope with their lack of money. To overcome the crisis, Guilherme becomes a partner in Joaquim's auto repair shop.

São Paulo, 1945. A tenement in the Bixiga neighborhood centralizes the plots and characters. The cheerful Lalá is a former prostitute who got along with a senator of the Republic, her lover, who, when he died, left her in an excellent financial situation, since she had a daughter with him, Marialina. Lalá is courted by the simple Italian Antônio Sapateiro, a mature man in love with her. The Portuguese Manoel Vitor loves the Jewish Ruth, but her parents forbid dating because of religion.

Between the 1920s and 1980s, the plot narrates the trajectory of a Lebanese family focusing on the conflicted relationship of the twin brothers Omar and Yaqub.

Inspired on Jorge Amado's romance "Tieta do Agreste", the plot is set on the fictional city of Santana do Agreste, at Brazil's northwest, and has as main theme Tieta's life turnarounds. Twenty-five years after being chased out of town by her father Zé Esteves, she returns to her home town seeking revenge against everyone who mistreated her and laugh at her face in the past.

Dias Gomes and Marcílio Moraes' version of the soap opera of the same name by Janete Clair shown in 1970, Irmãos Coragem features as central characters João, Jerônimo and Duda, three brothers who threaten the dominance of the powerful farmer Pedro Barros, the highest authority in the fictional Coroado, in the interior of Minas Gerais, where the story is set.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

Conceição is a poor girl that left Minas Gerais in search for a new life, away from the coal ovens. She runs away on a cargo train to Rio de Janeiro, where later she takes shelter with a loving family in Rio's suburbs. She falls in love with Cleiton, a hard working and rebel young man, who grew up without a father and lives between good and evil. Conceição becomes a brazilian funk star, but she doesn't loose her pure nature, reassuring her integrity before the obstacles of life. These common people face a recurring dilemma to all of us: How to maintain your notion of justice, ethics and morals, in times of violence, inequity and decadence of values?

Jose Inocencio had innocence only as part of his name, but only those who new him well could notice this. But nobody knew him. He was a storyteller, and he was always the main character in the stories he told. He managed not only to create stories about himself, he managed to create a legend. The story of this powerful cacao farmer; Maria Santa, the beloved wife who died; and their four children is the main theme of 'Renascer'.

Maria is an orphan girl who suffers from her stepmother's wickedness. She then decides to escape in search of the fringes of the sea and takes a long walk through Brazilian folk tales. On her journey, she meets several fantastic characters.

A cowboy narrates his 'jagunço' life of disputes, revenges, loves and deaths, through the years that he traveled central-east Brazil, in the first decades of the 20th century, while federal troops were in conflict with provincial forces.