Dívka a kouzelník

Singer and actress Naďa Urbánková, against the background of vampires and ghostly realities.

In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

The Slippers of Happiness is another film made by the Slovak Film Production in co-production with West German companies based on classic world fairy tales. After Slovak folk tales [The Greatest Peck in the World, Salt Over Gold] and the works of German fairy tale writers Wilhelm Hauff [The False Prince] and the Brothers Grimm [The Land of the Thrush's Beard, Perinbaba], screenwriter Alex Koenigsmark and director Juraj Herz were inspired by the famous fairy tale by Hans Christian Andersen. It tells the story of slippers that the Fairy of Fortune enchanted so that they would fulfill every human wish and thus bring people happiness. The filmmakers humorously transferred the plot from Copenhagen to old Prague.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

The fifteen year old Maruska starts as a new staff in the porcelain warehouse. For the boss Svetla it is the last straw. She asked to extend her staff consisting of four girls and a retired lady by a man, not a child. The kind and ever fussy Svetla, battling in vain with overweight decides to leave her position and to take another one in the office. As soon as she finds out that the position will be taken by Arnost Jarolím, she insists on a hand over inventory.

Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

A satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade!

The Emperor of a European country demands new clothes to wear every day, in fact sometimes several times a day. He imposes a heavy tax on the poor citizens to pay for his vanity. An itinerant man and boy come to the capital city and see the injustice, and make friends, but they soon have to flee. They return disguised as Arab tailors, and offer to make the Emperor a new suit of clothes. But only the wise will be able to see it; fools, or those unfit for their public office, will not see anything. The Emperor orders the suit made, and much money is needed to purchase the raw materials. Eventually the suit is ready, and the Emperor and his officials pretend that they can see a wonderful outfit; will anyone prick the bubble of the illusion?

Vašek learns that he is dying, so he steals a painting and goes to Rome to sell it – he needs money for a healer. Sitting on a train with a fake mustache on his face, he has no idea that he has, in fact, been sent on a spiritual quest of his life by a beautiful girl. His pursuers look as if they were transported from a 1970’s movie, yet his attention is constantly drawn to the other passengers, who pull him into their own stories with no mercy. Vašek slowly gets lost in a colorful chaos of other people’s destinies, opinions and his own dreams. In the end, his train will take some of them to hell, others to enlightenment or a bizarre epiphany. The film takes a humorous view on all the basic philosophical questions we have heard so many times but that we have yet to find the answers to.