Gli amori di Aldis

A compelling reconstruction of the adventurous life and works of explorer, filmmaker, and photographer Father Alberto Maria De Agostini (1883-1960). At the age of 26, he left a small village in Piedmont to become a missionary in South America. In 1910, he reached Patagonia and Tierra del Fuego, which were still largely unexplored. He climbed mountains, discovered fjords and glaciers, and gave them names. Faced with the anguish and pain of the disappearance of the last Indios, he entrusted his testimony to the images captured on his photographic plates or on the frames of his film 'Terre Magellaniche'.

After the death of their parents and to escape a forced and inevitable separation, Bruno, twenty-four, and his sister Irene, fourteen, flee the city. The two orphans live by wandering and committing petty thefts and robberies, almost for fun. The agreement between the two is not perfect, because there is someone who would like to go back. But the game will become more and more serious and will lead them to death. A small example of independent and courageous Italian cinema. The structure is that of a road movie (the place crossed in this case is Molise), but the directors focus above all on the humanity of the characters, lingering on their faces.

Antonio, a policeman (carabiniere), has an order to take two children (Rosetta and her brother Luciano) from Milan to Sicily to an orphanage. Their mother has been arrested for forcing Rosetta (11 years old) to work as a prostitute. First the relation between Antonio and the children is tough, but it relaxes so they become temporary friends.

In post-communist Albania, two Italian con artists establish a fictitious shoe factory to embezzle government funds. When their elderly Albanian figurehead disappears, the younger accomplice sets out to find him, embarking on a journey that confronts him with the country's poverty and troubled past.

Giuseppe M. Gaudino made his directorial debut with this experimental film portrait contrasting the ancient Roman empire with poverty in present-day Naples. The film's narrator introduces the ancient town of Pozzuloi, home to Nero, his mother Agrippina, the Sibyl of Cumae, and Christian martyr Artema. This historical drama is intertwined with a modern-day story of a poverty-stricken family, forced by earthquakes during the '70s to move to the country, a devastating blow to the close-knit family. After a 1997 Venice Film Festival screening at 125 minutes, the filmmakers announced their plans to re-edit to a shorter running time. Also known as Moonspins Between Land and Sea.

Antonio Barracano is a respected figure among the Neapolitan underworld, keeping order and administering justice according to his own criteria, beyond the law. One day he's faced with a dilemma after a youth asks him permission to kill his father.

A convicted terrorist out on parole meets a man she nearly murdered 15 years before, without recognizing him. He does so, but he chooses to keep quiet and spend time with her—desperate to understand the reasons behind her gesture.

An extremely mannered and increasingly preposterous tale of a fortysomething woman who has to deal with an abusive, double-dealing husband and a handsome, soap-actor lover who seems to be too good to be true.

The dream of eternal beauty, art as a common thread of history and human restlessness. The vitality of a woman determines the course of events over the centuries.