Schatt's Last Shot

A foreign musician is stranded at a New York City area hotel after the airline he was ready to take home collapses and replacement carrier flights are delayed. He bonds with a singing chambermaid.

Sophie reflects on the shared joy and private melancholy of a holiday she took with her father twenty years earlier. Memories fill the gaps between camcorder footages as she tries to reconcile the father she knew with the troubled man she didn't.

CINEMA16 celebrates the short film by showcasing some of the best classic and award-winning shorts on DVD. With over three hours of films CINEMA16: AMERICAN SHORT FILMS is essential viewing for anyone with an interest in the moving image. Films include Gus Van Sant's 1982 adaptation of a William S. Burroughs short story, The Discipline Of DE, Tim Burton's early stop motion animated classic Vincent, George Lucas' USC short Freiheit, Alexander Payne's previously unreleased UCLA graduation short Carmen, Paperboys by Mike Mills, D.A. Pennebaker's Duke Ellington scored Daybreak Express, Todd Solondz's NYU short Feelings, along with Oscar Winner The Lunch Date by Adam Davidson, Stefan Nadelman's multi- award winning documentary Terminal Bar, Joe Nussbaum's cult classic George Lucas In Love and 2006 Sundance Winner The Wraith Of Cobble Hill by Adam Parrish King. Films are subtitled in French, German, Italian, Spanish and Japanese, and include commentaries from many of the directors involved.

The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.

A misanthropic author, a single mother and waitress, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

An unattractive 7th grader struggles to cope with suburban life as the middle child with inattentive parents and bullies at school.

The story follows a young male protagonist as he recalls the babysitters of his youth.

College and high school serve as the backdrop for two stories about dysfunction and personal turmoil.

Aviva is thirteen, awkward and sensitive. Her mother Joyce is warm and loving, as is her father, Steve, a regular guy who does have a fierce temper from time to time. The film revolves around her family, friends and neighbors.

Angela de Marco is fed up with her gangster husband's line of work and wants no part of the crime world. When her husband is killed for having an affair with the mistress of mob boss Tony "The Tiger" Russo, Angela and her son depart for New York City to make a fresh start. Unfortunately, Tony has set his sights upon Angela -- and so has an undercover FBI agent looking to use her to bust Tony.

An unsuccessful playwright faces trials and tribulations as he seeks to find himself in New York City.

Friends, family, and lovers struggle to find love, forgiveness, and meaning in an almost war-torn world riddled with comedy and pathos.

In 1997 New York City, filmmaker Erik bonds with closeted lawyer Paul after a one-night fling. As their relationship evolves through dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.

Abe is a man who is in his thirties and who lives with his parents. He works regretfully for his father while pursuing his hobby of collecting toys. Aware that his family doesn't think highly of him, he tries to spark a relationship with Miranda, who recently moved back home after a failed literary/academic career. Miranda agrees to marry Abe out of desperation, but things go awry.

A dachshund passes from oddball owner to oddball owner, whose radically dysfunctional lives are all impacted by the pooch.

His first film shot with sound, Feelings is a two and a half minute movie made as an NYU film school assignment in 1984. Solondz himself takes the lead role of a sensitive young man who finds he can no longer endure life without his beloved. Photographed by Andy Day, the film is set to Todd Solondz's personal rendition of the song "Feelings" by Morris Albert.