Mamãe Parabólica

When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.

Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.

Marked in history as the first Brazilian comic book, totally in nuclei, Turma do Pererê is considered a giant influence for several later authors, such as Maurício de Sousa. In addition to being the first to address topics such as ecology and social inclusion, a work is also referenced for perfectly aligning with the main political interests of the time.

Set in colonial Brazil, the love story between a Brazilian man and a Portuguese-born dame sets fire to a political movement which brought freedom and democracy in Brazil for the very first time.

A once-rich family of women in Rio de Janeiro must sell their mansion in order to keep their high standard of living, but the proximity to the slums disrupts business.

O is a young, vivacious photographer who falls in love with Rene. While their relationship seems like a storybook romance at first, everything changes when he sends her to a place called Roissy, where women are subjected to intense physical and psychological S&M training to make them the perfect slaves.

Every year 288 thousand people attempt suicide in Brazil. The film documents the creative process of actors preparing a play about the re-encounter of a girl who has attempted suicide with her friends from a theatre group. The idea is to give a voice to the young people, those who have attempted, the friends and relatives of those who survive and those who die. The documentary proposes a recovery of self-esteem and hope for those who consider suicide, encouraging all to give a new meaning to their existence, indicating the possibility of new choices and pathways.

This biopic documents the life and work of one of Brazil’s most prolific artists: Milton Gonçalves. This actor and director are credited with more than sixty television titles, seventy movies and twenty plays. Known from classic full-length features like Macunaíma, They Don't Wear Black Tie and Kiss of the Spider Woman, his dramatic versatility also encompasses major Brazilian soap operas, including O Bem Amado and Roque Santeiro. With his talent, he overcame barriers faced by many Black performers in Brazil. An active on-screen and on-stage presence since the 1950s, his name is synonymous with the history of Brazilian television, theatre and cinema, making him a landmark talent in the performing arts world.

Although Fatima, Brandy, Ana and Cecilia have never met, their life stories seem connected. Despite their difference in age, origin and skin color, they are all Latin American women affected by violence. Set in Mexico, Honduras, Brazil and Argentina, this full-length documentary recounts their stories of vulnerability and strength. Despite all these contrasts, their stories align and rhyme with each other.

In 2018, Brazil’s 1988 Constitution turned thirty. Known as the Citizen Constitution, it was a landmark in the history of Brazil, the outcome of across-the-board engagement of society in its preparation. In Congress, the parliamentarians best known for their involvement in this initiative were names that are still familiar today in Brazil’s political history: Ulysses Guimarães, Teotônio Vilela, Tancredo Neves and Nelson Carneiro.