Still is Time

Four cashier aunties lock themselves up inside the supermarket late at night to protest against their job losses as the chain transits into a cashless system.

Steph Chan is leaving Singapore for good. Yokes struggles to say goodbye. The two girls spend their last moments together before they begin their separate journeys on the pursuit of a happy human life.

In Age of Blight, 12 Asian filmmakers capture and imagine life under the pandemic, from the hospital corridors of Marawi to protest rallies in the streets of Bangkok. The film mirrors light amidst the chaos and darkness, life in the face of death. Participating filmmakers are Mervine Aquino (Philippines), Bagane Fiola (Philippines), Daniel Rudi Haryanto (Indonesia), Hassanodden Hashim (Philippines), Gladys Ng (Singapore), Nontawat Numbenchapol (Thailand), Carla Pulido Ocampo (Philippines), Edmund Telmo (Philippines), Mark Lester Valle (Philippines), Ligaya Villablanca (Philippines), Takayuki Yoshida (Japan), and Abdul Zainidi (Brunei). Edited and assembled by John Torres (Philippines).

As a breast cancer diagnosis shatters a woman’s life, an encounter with a stranger has a ripple effect on both their lives.

Every Floor Looks The Same is an observation of the peculiar nature of life in Singapore, seen through the eyes of a languishing Osmanthüs who seeks to fill her day with fun, only to grapple with finding her space and reason in this world.

My Father After Dinner follows an old security guard and his emotional journey in anticipating the return of his married daughter and her family for dinner.