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Cinéastes de notre temps : Souleymane Cissé

Malian filmmaker Souleymane Cissé reveals his passion for cinema, Africa and the world to Cambodian director Rithy Panh.

Five Days in a Life

"Cinq jours d’une vie" is about a young man, N'Tji, orphaned at an early age, who lives under the supervision of his uncle. He is sent to Koranic school, where he is forced to memorize and recite verses of the Koran; soon, N’Tji escapes and begins to craft his own destiny. Unfortunately, he is found and thrown in prison, and must live with the implications upon release. In this film, Cissé explores the institution of the Koranic school and its detrimental effects on young people’s autonomy and ability to explore their futures.

Work

A young manager of a factory encounters a man walking along a road who says his family traditionally are servants to the manager's family. The manager offers him a job, and as he watches out for the other man's welfare, begins to see how the company mistreats its workers. The manager is challenged between his ethics and the pressure from others to protect his own interests as dire problems surface at the factory

Yeelen

A young man with magical powers journeys to his uncle to request help in fighting his sorcerer father.

The Young Girl

A young mute woman is raped and becomes pregnant, with disastrous consequences within her family. The film also sketches the social/economic situation in urban Mali in the 1970s, particularly in relation to the treatment of women.

Time

Beginning in South Africa under the apartheid regime, the film follows a young girl who flees the country after a violent confrontation with a local white landowner in which her father is killed. She settles in Abidjan, where, ten years later, she has become a university student. As part of her studies, she visits the Taureg tribe on the edge of the Sahara before at last returning to post-Apartheid South Africa.

The Wind

Two Malian teenagers, Bah and Batrou, from different backgrounds, meet at secondary school. Bah is the descendent of a great tribal chieftain. Batrous father, a provincial military governor, represents the new ruling power. The two teenagers are part of a generation that rejects the established order and challenges the society in which they live.

Our House

Bamako. Several women are illegally evicted from their home in 2008. Their brother, Souleymane Cissé, takes up his camera to look back at his childhood and family history in a country heading for war despite a tradition of tolerance.

O Sembene!

Meeting of two greats, Cissé's tribute to the dean of African cinema is without discours, without pathos. It is the one returned by his mini camera, which attends the funeral ceremonies that marked the departure of Ousmane Sembene in Dakar, and finds the relatives of Sembene in the house he had built in Yoff, directly on rocks beaten by the ocean. These simple and close images, with a distance from the ceremonial that Sembene would have appreciated, those briefly borrowed from his films and archives, weave a film full of friendship and fraternity.

WHEN CINEMA SPEAKS...

Zineb Sedira pays tribute to the history of African Cinema and the filmmakers who had inspired her.

A Daughter's Tribute to Her Father: Souleymane Cissé

Fatou Cissé accompanies her father, malien director Souleymane Cissé, through a trip down his film career, painting an intimate and poetic picture of one of Africa’s most celebrated actors.