Goldfish

An aging opera singer facing retirement and a divorce. An energetic young woman seeking to escape her mundane life with her boyfriend. A young teacher obsessed with a new and rebellious student from Shanghai. All of them have one thing in common: their lives are intertwined with Xi Shi's, one of ancient China's legendary beauties.

A woman who accidentally commits a hit-and-run has mysterious connections to the victim.

Xiao Dou is a shy and naive mailworker living in Beijing with his sister. When a coworker is fired for reading people's correspondences Xiao Dou takes over the same mail route. He soon finds himself indulging in the same curiosity, eventually developing an obsession. Xiao Dou chooses to spend time reading letters instead of socializing with friends or coworkers. As he becomes increasingly tied to the letters, he begins to intervene in the lives of those who write and receive the letters.

Required to retire from his job as a utility man at a Peking Opera theater, Old Han is at loose ends, wandering the backstreets of Beijing looking for something to correct.

Xiaoma, a young woman who has recently moved to Beijing, finds an apartment in an old courtyard apartment complex owned by Grandma, an elderly woman. Xiaoma and Grandma’s relationship almost immediately becomes strained. After trying to tidy up the courtyard, Grandma insists that Xiaoma turn over her share of the profits. Tightfisted, the elderly landlady resists even allowing Xiaoma to install a telephone. At the same time the older woman becomes increasingly interested in Xiaoma’s personal (and romantic) life. Grandma, for example, tries to pass off her grandson to the younger woman. Annoyed, Xiaoma nevertheless is flattered at the older woman’s concern. Over the course of four seasons, Xiaoma begins to learn from her landlady of the old world that the modern city of Beijing has left behind, while Grandma begins to enjoy the youth and vitality of her tenant. The two women become closer and eventually develop a deep friendship.

Guizhou province, southern China, spring 1980. Schoolboys Zhao Qiangsheng (Ma Guoxing) and Fulai (Wang Shibin), who've spent their whole life in a remote village, hear from a PLA soldier about a thing called a "city", full of people, buildings and cars, three mountains away. Full of curiosity, and with the orphaned Fulai fed up with being passed around the community, the two set off to reach it when their school is closed for five days...

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

Lin, a sea captain, returns from a 6 month journey when he is told that his 25-year-old son Lin Bo has been gunned down by the police. In his quest to understand what happened, he realizes he knew very little about his own son. He starts a journey back to Chongqin, a city he once lived. He will understand the impact of his paternal repeated absence on the life of his child.

A portrait of urban anomie focusing on two bohemian artists who drift through the miasma of old Beijing in the 1980s.

A divorced couple learns that the only way to possibly save their daughter, who is suffering from blood cancer, is to have another child. The problem is they've both already remarried.

In 1980s China, the country is beginning to reform and workers who had been moved with their families to the provinces in the 60s now long to return to Shanghai. For one displaced family a conflict arises when their 19-year-old daughter finds love with a local boy, threatening their chance of a return to the city.

The young adult life of Hong Yunsheng, nicknamed Little Brother, is seen as somewhat of a failure by those that know him. A Chinese national, he stowed away on a boat to the United States, where he worked as a dishwasher in the restaurant of a family from his hometown back in Fujian province. After two years in the States and after fathering an illegitimate child there named Fusheng, the child's mother Xuhui who is the restaurateur's daughter, he was deported back to China. Since, he has been floundering in life, which has caused a rift between himself and his older brother, who, with his wife, operate a street front diner and can't have children of their own. Little Brother relies on his new girlfriend, a woman he barely knows named Wu Ruifang who is a performer in a touring opera troupe, for emotional support. Despite Little Brother being the local poster boy for not stowing away, his friend named Monkey tried to do the same, but died on the voyage over due to exposure to toxic ..

A retired widow has her daily routine derailed when she starts receiving mysterious, anonymous phone calls.

An adaptation of Liu Zhenyun’s award-winning novel One Sentence Worth Ten Thousand, produced by Bill Kong. The novel, which won the Mao Dun Literature Prize after it was published in 2008, revolves around a divorced woman and her married younger brother and deals with loneliness and alienation in contemporary Chinese society. The film marks the feature debut of award-winning short filmmaker Liu Yulin, who is adapting her father’s work. A New York University film graduate, Liu’s short film Door God (2014) won a silver medal at the 41st Student Academy Awards and was selected by Cannes.

The sequel to "American Dreams in China", three young men from small towns arrive in Beijing, completely new to the big city and ready to create something big. Their story happens against the backdrop of the development of China's Internet industry in the last 20 years, from the 1990s to present-day.