O Diabo Era Outro

João and Jaime work as taxi drivers for the same company. But, once the company's vault is robbed by Raul, the manager's son, João is the one to blame.

A portrait of the relations between neighbours in a Lisbon courtyard. A story made of small episodes of humour, friendship, rivalry, love.

During a tour of the province, someone mistakenly leaves a baby in a singer's car without him noticing. António decides to take the child in, with Madalena, a fellow artist. But the presumed mother, claiming it was a mistake, enlists the help of her brother, a police officer, which leads to a chase to Porto.

A man afflicted by an inferiority complex, is helped out by his comrades to pass the tests to enter the navy. A girl accepts to show a fake love interest in him as part of the plan, and ends up really enamoured.

The film deals with the story of smugglers operating in the border areas of northern Portugal. A group of smugglers who escaped police installed in a village to have a quiet life, but facing hard times have to go back to smuggling.

The life of Fernando Farinha, from kid where he ran away to school - to sing the fado, and the condescension of the parents, although aspiring to have an "honest" job.

Ribatejo - Maria Rosa, wife of a fearless cowboy, José, who was killed by a bull, makes her son Toino swear that he will never work with cattle again, for which he will be called a coward. Years later, having married Cacilda and isolated from his family, Toino breaks his promise when, in the countryside, he is forced once again to prove his bravery in order to save his son Quim, who is being pursued by an animal...

While rehearsing the annual play, a clerk tries to regain the attention of his beloved, in a comedy of equivoques.

Professor Hermes conducts a research on fear, for which he passes contract with a patient to live a supposedly empty mansion. He's counting on his assistant Chico Mota to play a phantom, but soon comes about that there are phantoms (plural) in there.

After two years of fighting in Angola, Ilídio returns to the village where Mary, whom he considered his bride, is indifferent. She is convinced that she has a religious calling.