How Many?

Revolution isn't a piece of cake, not even for Noël, the anarcho-burlesque agitator and imperial troublemaker of the international pastry world. And since the road from the great night to the radiant dawn is long, you might as well do it in a Cadillac. Provided, of course, you can find one, because Cadillacs are like the Indignados: the more you talk about them, the fewer you find. But when it comes to getting behind bars, it's still classier than a cell in La Santé prison. Jean-Marc wouldn't disagree. A persevering man, Jean-Marc, not the type to give up. With him, you have to be content with a lot. Long drawn to direct action, he discovers with Noël the charms of a guerrilla revolution. And together they lead us down the back roads, beyond the barriers, guided by the Muses and by chance encounters, irresistibly drawn in by the quest for a better world.

How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.

It is the history of a ball. A grand ball. Each summer, more than two thousand people tributary of the whole of Europe in a corner of the French countryside. For 7 days and 8 nights, they dance, again and again, lose the concept of time, braving their toil and their body. It rotates, laughs, it spin round, it cries, it sings. And the life pulse.

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

Still pining for his ex-boyfriend, Géraud has come to a French seaside town to present his new experimental film, but the only person keen on seeing it is the cinema's underage projectionist who becomes smitten with the handsome director.

Vincent spots Jean-Christophe on the beach, bumps into him not so accidentally, and they hit it off during a fun evening and night. But the next morning Jean-Christophe reveals something that turns Vincent's life upside down. How will they get through the day?