Humanos: Ao Vivo

The making of of a making of. The Shooting of a feature. An unpaid intern. One theft. One making-of. The first movie... maybe the last.

Rui is in the process of separation from Silvia, his wife and John, his son, realizing that his father can not get out of this situation and that he will never be happy, decides to ask for help from the mythical Bolivian hero "El Justiciero".

There are hundreds of sex workers to whom the protection of the law at a labour and civilian level is not recognised. For that reason, in a similar way to what happens in many countries, they demand the end of the discrimination, the change of the law and the social power that has been denied to them. This film is a journey into the underworld of sex workers and their struggle for labour rights.

The documentary shows the academic movement and its several crisis by the players perspective and the way they contributed and involved themselves in the movement as students and Men. The main focus will be on the players and the academic leaders in this process during the 60’s.

Three men try to be "masculine" again. A clerck, a Saints Salesman and a "house-husband" pack up and decide to travel... to a bar. This is a movie without words, where the communication happens through the eyes and of some violence too.

José Bação Leal has born in Lisbon, capital of Portugal, in 1942, and died in Mozambique, during the colonial war, with 23 years old. A promising writer and thinker, he became a symbol of a youth that could not rise, victim of a country that put in cause its own future in a meaningless war. All the people who were close to him were touch by his fascinating personality and his vanguardist free spirit.

During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.

Posfácio works at the factory of Madam Cannon and dates her daughter Claudete. Everything would be going great for Posfácio, if it wasn't for terrorist plans from his work buddies Marques and Mendes.

Two old men sharing a room in a nursery home, try to get along.

The first short film directed by António Ferreira, featuring Adolfo Luxúria Canibal (lead singer of Mão Morta).

Armindo and Helena celebrate their wedding anniversary.

A couple stuck in a table of a restaurant faces the long hours of the weekend. A short film that explores the limits of warned-out relationships.

Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.

What the ocean bringeth, the ocean taketh away

In Portugal he was a priest, in Brazil a revolutionary.