The Stadium

N is coming from the desert to reach the north of Africa and make an illegal crossing to Europe. Alone in Tunisia, he decides to cross the solitary sea. He steals a boat and begins his journey, but it soon sinks into the water. From that moment, N embarks in a special and unique voyage: he discovers different and infinite spaces, makes intense and fleeting encounters, and meets another altered image of himself.

S is a young soldier in the southern desert of Tunisia. When S learns about his mother’s death, he obtains a week’s leave and goes back home. He will never return to the camp. In his popular neighborhood starts a man hunt after which S eventually escapes through the mountain. Few years later, F, a young woman married to a rich business man who has just settled in a luxurious villa, learns of her pregnancy. One morning, she goes out alone for a walk in the forest. She will never come back.

The film revolves around three missing people who return to a remote town in Tunisia, where the local police inspector, Fathi, tries to unravel the mystery with the help of her friend Amine. Then a second inspector arrives from the capital. The events of the film develop as if they were taking place in the dreams of two animals – a blue dog and a black crow.

After the insurrection erupted in Libya in the spring of 2012, more than a million people flocked to neighboring Tunisia in search of a safe haven from the escalating violence. When a massive refugee camp was hastily constructed near the Ras Jdir border checkpoint in Tunisia, a trio of filmmakers carried their cameras in and began filming with no agenda. This on-the-fly chronicle of the camp's installation, operation, and dismantling captures a postmodern Babel complete with a multinational population of displaced folk, a regime of humanitarian aid workers, and international media that broadcasts its “image” to the world. Visually stunning and refreshingly undogmatic, Babylon reveals a rarely seen aspect of the Arab Spring.