Kryptonim Nektar

In this musical comedy, the comic duo Dzigan and Shumacher play two small town "entrepreneurs" who believe they have struck oil in a local field. Thus begins a comedy of errors, including millionaire investors, American schemers, and insane asylums, with a little matchmaking on the side.

Two inseparable friends, Vitya Maleev and Kostya Shishkin, cause a lot of grief for the pioneer group: their diaries are constantly filled with failing grades. The friends are too preoccupied with soccer. Only dusk forces them to leave the sports field. Vitya Maleev's mother takes away her son's football, but the friends invent new entertainments, and the number of failing grades in their diaries grows alarmingly. Kostya Shishkin, under the pretext of "illness," stops attending school altogether. Based on the story by Nikolai Nosov.

The story takes place in 1905 and shows us a glimpse of an earlier Russian occupied Poland. After the assignation of the Governor-General, the Russian authorities in Warsaw are bent on finding the conspirators. Ryszard (Adam Brodzisz) is a Polish patriot that is considered a terrorist to the Russians and a hero to the Poles. He manages to find time to fall in love with a woman named Rena before being caught. The Russians know he was part of the plot, but do not know exactly how much he was involved, so he is sentenced to exile in Siberia. But his sweetheart Rena doesn't stand still while he is sent away, so she follows him to Siberia.

A young doctor receives an allotment for a state-owned M-3 type flat, but to his disfortune only married couples have a right to an M-3, so he begins a frantic search for a wife.

Anton Ivanovich Voronov is a highly respected professor at the Moscow Conservatoire, who places the music of Bach above everything else and regards it as the ultimate yardstick by which other musical accomplishments must be measured. His daughter, Serafima, is an aspiring singer with great potential, and her father’s anger is aroused when she begins singing in the operetta composed by Aleksei Mukhin, thus abandoning what he considers the higher calling of opera. Mukhin’s work, however, demands a high level of ability from his soloist, and Anton Ivanovich is persuaded of the legitimacy of operetta as a musical genre when, in a dream, he is visited by Johann Sebastian Bach himself, who tells him that ‘people need all kinds of music’.

Marek intends to go to Silesia with his girlfriend - nurse Bożena. However, she does not want to leave one of her caretakers

A German man and a Polish woman fall in love in the days preceding World War II.