Golpe de Asa

André's Eyes is an experimental docudrama in which the actual family members themselves participate in the recreation of their own story. Set in a small village in the Portuguese countryside, the film follows the struggle of a divorced father to keep his family together after his youngest son is taken away from them and placed in a foster family.

Zeca was jailed for a crime he didn't participate, now he's free and while trying to make a new life he encounters a kid, surprisingly the boy is Ema's son, his long time lover.

Two women victims of domestic violence exchange stories through the grids of a prison. One changes the life of another.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

Forty years later six ex-fighters, that had been together in the War in Africa, keep meeting. They know that, during those meetings, talking about the War is therapy to exorcize nightmares and ghosts. What keeps them alive is what destroyed them: Memories. Life has never been the same. They had twenty two years old when they met at the War. Time has stopped there. Today, they only exist when they are together.

Antonio is 18 years old and is profoundly deaf. He wants to study cinema outside Portugal and become a director. And make movies for everyone, deaf and listeners. This is your dream that, like all dreams, has a price: to question himself and the community to which he belongs. At the same time, she lives her first love with Irina, a deaf young woman who doesn't understand why he wants to leave school and his country so much. For the first time in his life, Anthony's world is falling apart. But it may be worth losing the world to conquer the universe where deaf and hearing listen in the same gesture.

Alice, a recently widowed director, is alone on her grief after her daughter leaves home. Alice clings to the only structure she has, a fragile foundation at risk of collapsing: an essay film project, about first loves, dependent on funding. Suddenly we enter in another dimension, another place and without prior notice we are in the film conceived by the director.