Buongiorno Taranto

"Il mondo a scatti" is a film that intertwines images of today and yesterday, still images and moving images through a dialogue between two people who reflect on the visible and invisible things of the world: Cecilia Mangini, unstoppable ninety years old, photographer, documentary maker, screenwriter is filmed by Paolo Pisanelli, photographer, director, curator of cultural events.

In search of purpose, 17-year-old Claudio helps easygoing mechanic Stefano build a car capable of winning a street race that could solve his financial problems, but gets himself involved with the latter's former girlfriend.

A cinematic journey to discover, through previously unpublished documents and manuscripts, the world of writer and ethnographer Grazia Deledda, the first Italian woman and writer to win the Nobel Prize for Literature in 1926. A revolutionary author, she transcended the confines of male-dominated culture and asserted her creative path as an artist and a woman.

Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.

An astonished crowd turns its face to the boldness of a young photographer in 1956, at the Puglia village festival.

A piece based on Mangini's photographs of a journey that would change her life: the one she took at the age of 25 to the pumice mines of Lipari, a lunar landscape displaying extreme working conditions that she portrayed in 46 images both beautiful and devastating.