Thomas Verbogt - I started writing when I was three

Documentary Film which uses the letters and diaries of passenger Lady Grace Drummond-Hay and archival footage to document the Graf Zeppelin airship's circumnavigation of the globe in 1929. In 1928, Lady Drummond managed to secure a place aboard the Graf Zeppelin airship as it made its historic crossing of the North Atlantic in 1928. This was the first transatlantic commercial passenger flight.The Graf Zeppelin left Friedrichshafen in southern Germany in the early morning of October 11, 1928. It arrived at Lakehurst, New Jersey four days later with a flight time of 111 hours and 44 minutes.

Recently widowed from a man 50 years her senior and bored to tears with covering ladies fashion, Lady Grace leaped at the chance to be the only woman onboard one of the media sensations of the decade. At journey's end she returned to America a star, thanks to her good looks and gutsy charm. But her reports on the ship's travels for the front pages of the Hearst press empire only told part of the story. In her diary she recorded a far more intimate journey-her struggle to get over her secret affair with shipmate, mentor, and married man Karl von Wiegand. Combining spectacular archival footage of the journey across New York, Siberia, Tokyo, and the Pacific with narration drawn from Drummond's articles and her private journals, this sweeping black and white documentary stands as a vision of technological marvels and global hope in that narrow window between world wars when everything seemed possible except true love.

Frequent perpetrator Tony ends up in the Pieter Baan Center after yet another violent robbery. For seven weeks, a procession of behavioral researchers passes him by. They must ultimately come to a unanimous conclusion and then advise the judge: whether or not accountable; tbs or not. Psychiatrist: "What is the worst outcome for you?" Tony: "Tbs with compulsory care." The Pieter Baan Center is a detention center with the special task of investigating persons suspected of a serious crime. It is an independent investigation commissioned by the Ministry of Justice. In a seven-week process, the suspect's personality, the possible presence of a disorder and / or a mental illness and whether it can be linked to the crime are examined. Is there a chance of recurrence?

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

Stories about young Ukrainian dancers and their hasty flight to the Netherlands. You see their new life as refugees. The former conservatory in The Hague is a shelter for them where they collect their lives and find refuge in their profession: dance. The formation of a new ballet company, The United Ukrainian Ballet, is an important foothold in winning back their lives. They find comfort in each other and close friendships develop. In addition, there is the great love for ballet, for the dancers the best way to express themselves.

In 1917, French artist Marcel Duchamp declared everyday objects as art. A provocative act that sparked a heated, still topical discussion around the question: what is art? Since then, that question has been asked time and time again. To the artist and to the viewer. If everything is possible and everything is allowed, how do you remember what art is? Director Ditteke Mensink spent two years at De Ateliers: the breeding ground for top talent in the visual arts. Her stay ended in a harsh confrontation with herself, the young artists and modern visual arts.