Seven Minutes

This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.

Ana, a Portuguese actress, dives into Brazil's current atmosphere of identity and political crisis while trying to portray in a feature film the colourful life of famous singer and actress Carmen Miranda, who helped define Brazil's identity.

In the 1970s, in the midst of a military dictatorship, composer Jards Macalé and filmmaker Luiz Carlos Lacerda (Bigode) shared a house in Rio de Janeiro - which became a center of convergence for musicians, filmmakers and writers, and where they performed classic films and songs of Brazilian culture.

City of God – 10 Years Later investigates what happened to the actors who took part in the award-winning film directed by Fernando Meirelles and Katia Lund. This documentary shows what City of God’s worldwide success meant to their lives. Were the actors prepared for the film’s success? Did the social background of some of them prove stronger than the opportunity that came their way?

Bianca manages a precarious living as a talented but underemployed actress in Rio de Janeiro, performing for private events dressed as movie icons. Troubled by the belief that she has missed her big break, Bianca's situation is upturned by an audition that leads to a rare opportunity.

Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.

In 1970, Brazil was in the throes of a military dictatorship that lasted 20 years. Persecutions, arrests, killings, kidnappings. The film Seventy rejoins 18 characters of this story, forty years later. The film mixes the excitement of revisiting the past with a vision, sometimes even good humored of everything they lived. Many years afterwards they relive their experience of pain, violence and survival, of rebuilding their own story and continuing to believe in the possibility of improving the world.

A tribute to Pier Paolo Pasolini's centenary. The film tells of his visit to Rio de Janeiro in 1970, returning from Argentina in the company of singer Maria Callas, when he met the young soldier Joaquim.

During carnival Flaviana lives a pretty difficult dilemma; how to disguise from her last night lover who refuses to get out of her shower?

Joana D'Arc, a former public school teacher in Rio de Janeiro, tries to recover her home, lost to the City Hall. The trajectory is shared by the pirate fisherman Pharaó, from Guanabara Bay.

In protest against the 500,000 deaths from COVID-19, five actresses recite poems by João Cabral de Melo Neto.

On March 1, 1982, the city of Niterói enters history and hosts one of the most important cultural movements: a so-called Rock 80 Generation. Radio Fluminense FM, known as “A Maldita”, goes on the air, mixing irreverence, daring and creativity with its programming aimed at music that lacks commercial space. The boldness of believing in the new made “Maldita” become one of the main alternative communication vehicles, launching Brazilian rock groups and independent music and creating a legion of fans.

From a lifetime, a single memory has survived. Only one.

A film of the literary hallucinations and existential dreams of the character João, who is also José and Joyce, anthropophagically enchanted by cinema in his two hours of life.

The mystical element plays an unusual role in the civilizing process of Brazilian society. Realms such as samba, malandragem, soccer, and Carnival reflect this process, which unfolded in the shadow of the Precarious. On the street, in the terreiro, at the bar, in the favela, at the crossroads, or on the floodplain—a multifaceted historical and cultural identity was forged, resulting from the intersection of Amerindian and African spiritualities and European popular Catholicism. Macumbaria explores the phenomenon of the “macumba complex” through the lens of historian Luiz Antonio Simas, the film’s narrator.