Goodbye Fantasy

WHEN THE IRON BIRD FLIES takes us on an up-close and personal journey, exploring the complex interactions between contemporary Tibetan Buddhism and western culture. The film goes in-depth to portray the experiences and insights of both teachers and practitioners in the US and around the world. Along the way, it illuminates the wide ranging dialogs taking place between Buddhist teachings and science, psychology, gender theory and the arts. The film creates a vivid and entertaining portrait of the world of Tibetan Buddhism, as it is manifesting in the West and asks the vital question - 'In these increasingly chaotic modern times, can these age old teachings help us to find genuine happiness and create a saner, more compassionate 21st century world?'

​A queer woman is pregnant. The self-made family unit of two dykes and a trans man imagine a kind of erotic magic that will allow for procreation based solely on desire. Together they enact a public sex ritual to symbolize their hopefulness for multiplicity, acknowledging their cyborg bodies as technological interventions. When the queer woman miscarries her child, the three begin to build their own mythic understanding of where bodies live when they are not inside us. They create a story to trace movement of the non-body, from a hole, to a river, to a room. Images of an imaginary white room, an ikea-esque torture chamber of stillness, haunt them. As a parallel emerges between the pregnant body and the trans body, the techno-sex act becomes the key and a pyramid becomes the portal to access this other world of non-bodied existence.

In Tibet, the word for woman translates as "lower rebirth." In a remote eastern region of the country, the Tsoknyi Nangchen nuns defy this definition. Devoted to the ancient practices of Tibetan Buddhism - once primarily a male domain - over 3,000 nuns have attained elevated status. Director Victress Hitchcock honors them in this moving documentary, which follows the journey of a small group of Western women to remote mountain hermitages to meet these nuns.

Taking place on a mythical border area between Colombia and the United States, Borderhole investigates the relationship between North and South America through the lens of the American Dream and the illumination of multiple tensions in/around the border. The film explores imperialism, globalization through pop music, the gender mutant in an international context, and the choreography of women’s bodies in relation to sociopolitical and ecosystems.

This vibrant documentary celebrates Guillermo Gómez-Peña and the contribution his radical, queer, anti-colonial art has made to conversations around border-thinking, gender politics and Latinx identity.