Selfie

A stunning descent into the tunnels, sewage pipes and subway stations of Madrid.

The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.

The beginning of the twenty-first century is marked by a contradictory intersection between the transformation of the global economy and the revolution in new technologies. These two disparate new realities have disrupted customs and traditions and are now bearing witness to different drifts, some with times that anesthetize and others that excite and exhilarate, yet without knowing where they are heading. The place portrayed in Derivas (Drifts), associated with the frontier of the sea and fishing boats, begins to be occupied by nomadic flows of people whose interests are very different to the origin of this place, completely redrawing and resituating new events.

The camera leads us through a maze of cemeteries surrounded by vultures, and the trek ends with a view of a garbage dump. Sub Terrae poetically echoes with showing us such a terrifying terror: dystopian imagery of the foreseeable future, which is being seen from the current death chamber where the people of the past buried, signifying the contemporary global crisis in the present.

On a continuing journey and without destination defined, the painter Anton Lamazares meets with friends and family to reflect about key issues to answer this question: what place is left for the art as a way of understanding existence?

After traveling to Finland in 1960, Vicente Saavedra plans TenBel, a touristic area in Tenerife (Spain), inspired by Alvar Aalto. Nowadays it's in decline. Alejandro Krawietz repeats that journey, reflecting on the idea of "dwelling" and looking for the "paradise" meeting point between the North and the South of Europe.