The Last Portrait

A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.

A shadow questions itself about its shapes.

Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.

After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.

A sensory journey that over the course of hours, passes through crises. The constant non-communicability, even so, conceals carnal desire by the two human beings.

A candidate for reelection as president of Brazil prepares to communicate a right of reply, with his advisor trying to help him. But it seems that things are not going well with the politician's mind and speech.

Ingrid Savoy, a Brazilian celebrity set to take part in a reality show, spends her days confined to a hotel room. Amid premonitory visions, a paparazzi invasion, and anarchist terrorist attacks bursting across the city, the artist lives the constant imminence of a scandal.

The existential crisis of the image haunting humanity.

A TV signal reveals an experience of shock and delight.

Experimental film by Arthur Tuoto.

Experimental video shot on Mini DV.

Experimental film shot by cellphone.

Experimental video shot on Mini DV

A bus crosses a border.

A collection of instagram stories featuring the director's son, Francisco, and a reflection on salvation.