Naar Bønder elsker

In a large shoe store, Erik Hansen is the salesman for a sweet and smart young girl, Edith Bjørnfeldt, with whom he falls head over heels in love. He persuades her to go out with him in the evening. At a dance restaurant, they accidentally meet Edith's brother Willy Bjørnfeldt, a Copenhagener and one of the smart go-out types of the time. When Edith and her brother are alone at the table for a moment, Willy advises her to seize the opportunity and marry Erik, and thus say goodbye to the shoe business, which is hanging over her by the throat.

After years living in the province, the well-respected lawyer Poul Lindorph returns to the capital. While he is expected to take up the post of Director of Public Prosecutions, his wife Maria is far less enthusiastic about returning to the city. She fears bumping into the editor Asp, with whom she shares a secret: Several years ago, she became Asp’s mistress in order to save Poul and herself from financial ruin. The anxiety of being exposed drives her to make a fateful decision. (stumfilm.dk)

Poul and Alva have been married for a few years when dark clouds begin to gather over their marriage. The dream of having a child doesn’t come true, and the couple drifts further and further apart. Alva escapes into her great passion – music, while Poul becomes embittered by the injustice of fate. When he meets the smiling and cheerful Eva, it doesn’t take him long to forsake Alva and enter into a new marriage. Yet Poul remains unhappy, for Eva is a spendthrift who knows nothing about housekeeping. Alone and abandoned, his thoughts begin to wander back to Alva, the love of his youth. Has he been deceived by the illusion of happiness? Stumfilm.dk

A film about a doctor in a small idyllic town. He's an honest man who wants his patients best, but fewer and fewer visitors comes to his practice and that frustrates the doctor. A 'quack doctor' is taking his business.

The 74-year-old widow, Juliane Cramer, is a very wealthy lady with an incredible appetite for life. Despite her advanced age, she rushes from one pleasure to another, from mannequin shows to boxing matches, and when her lawyer reminds her that it is time for her to write her will, she firmly rejects him. There is no urgency: "I have decided that I want to live for many more years, that's it". She is more than generous towards her nephews and nieces and their spouses. They all live in a property that belongs to her. That is why they have never paid a penny in rent. They know that, if things get tough, they can always 'borrow' a couple of hundred kroner or three from Aunt Cramer. So everything is very good - apparently...

Mrs. Adda Ernst is a middle-aged lady of the bourgeoisie. She has a nice husband Mr. Ernst, a lovely home and two healthy children Birgit and Hans, who like most of their peers are interested in swing. Mrs. Adda is musical herself, and has a beautiful singing voice, sometimes she can fall into melancholy over the career she never had. But she is naturally endowed with a rare good mood, she soon sheds her sad mood. In reality, she has only one worry. She is afraid of getting old, and therefore makes some convulsive efforts to still seem young. She refuses to realize that her daughter has grown up.

He is very happy – and proud! For he believes that he is a great, great hunter who brings home his beautiful prey, Eva. But she knows better, and so do her three sisters, who show up for the wedding, for girls naturally know everything there is to know about women's wiles and love. With a totally confused but sympathetic smile for the three unhappy women he did not get, he flees with his young bride. In return, the three amuse themselves by telling each other the true story—how things really went with the young couple—and the winding paths he took to reach his wedding. For it has always been the prey that has hunted the hunter, and – without him ever suspecting it – he has been more of a plaything than a Don Juan. What the girls "confess" to each other is not boring—it is a comedy—which, admittedly, is not about "that's how women are"! At most, it is about how women are like that too!

A really nice mood bomb from Danish films golden age in the comedy genre! Peter Malberg is the somewhat goofy - but very much in love author Peter Strøm. He has fallen for the publisher's daughter, Else Fischer (played by one of the 30s biggest divas, Gull-Maj Norin). The same has just happened to the bright journalist Fritz Faber, who also intends to fight for the young Else. Naturally, this creates the classic intricacy and it all happens on board the Great America-steamer.

Opposite Regensen lives the brave and well-off coppersmith Smidt with his equally brave wife and their delightful young daughter Rikke, as well as the three journeymen Madsen, Mikkel and Lars, who, according to old craftsman custom, both eat and stay with the master. When an acquaintance of journeyman Madsen comes to visit, he learns that he is unhappily in love with Rikke, and he promises to help him get in touch with her.

When Møller Jakob Clausen of "Højmøllen" sits at his wife's deathbed, he makes her promise that if he marries again, he will choose a woman who will be good to their little son, Hans. And in motherly care for her little son, the dying wife mentions the forester's gentle and kind sister, Hanne, who will surely be able to become both a faithful wife for the miller and a good mother for Hans.

When waiter Thomas Hansen has put aside 10-øre on 10-øre to become a hotel owner, you can clearly see that the spirit has changed. It is not enough, by the way. Therefore, Thomas borrows the missing 10,000 kr. from a guest, rentier Birkehøj, who remarks that he can always get those shillings back when Thomas has become a millionaire. But, for the record, Thomas writes him a receipt on the back of a sandwich note. Then Thomas starts building his hotel - and then Birkehøj dies. Thomas' entire fortune is eaten up by smart money men, and he ends up as a farmhand. He only gets a job again when a maid is laid off. Thomas becomes a housekeeper, and in his new job he encounters justice. A hotel owner Ravn from Ringkøbing shows up as a guest in the house.

Magda, a piano teacher, meets Knud, a parson’s son, who invites her to spend the summer at his parents’ parsonage. When a travelling circus stops in the village, Magda leaves the meek Knud for the dashing circus rider Rudolf. But circus life with Rudolf quickly turns out to be anything but happy, and Magda comes to a tragic end.

Dr. med. Peter Lind is a young, partying model doctor who, despite an extensive and wealthy female clientele, is getting tired of the monotony of medical life and is therefore planning to go on a long trip abroad to experience adventure. His wife Vera is very unhappy with this plan. Peter and Vera have recently divorced after four years of marriage and are therefore better off than ever. Since they cannot agree on whether Peter should travel or not, they choose fashion writer and theater critic Martin Steen as their umpire.

The poet and Lillemor have become parents, but poetry and washing the diapers are two subjects which are hard to unite under the same roof. The two just married couples, the barber Anton and Vera plus the baker and Lise, are having some difficulties with their marriages but that doesn't scare off the butcher, who's got the hots for the midwife.

Attorney Krogh and his wife, Gerda, are distraught about their only son, Kai, a wastrel and ne’er-do-well with no aim or direction in life. Kai again asks his mother for money and Gerda cannot refuse, even selling her jewellery when her son falls deep into debt. Can Kai be steered away from the abyss that awaits him? (stumfilm.dk)

We are in a small Heurigen-Café in Vienna. The young singer Fritz Hertzgruber meets a young Danish writer, Jesper Ellekilde, and the two young people become friends immediately. Fritz has been to Denmark as a "Viennese child" and is now an enthusiastic member of the Viennese children's own club. The following evening, the club's annual draw for a trip to Denmark takes place, and Fritz is the lucky one - albeit by detours. Fritz and Jesper are accompanied to Denmark, where Fritz is very much looking forward to the reunion with his foster parents, the composer Emilius Andersen and his wife. They were the sweetest people to their Viennese child, and their home stands in Fritz's memory as the epitome of idyll and harmony.