El mensaje de la muerte

In Mexican Revolution times, a guerrilla general and his troops take the conservative town of Cholula, near by Mexico City. As the revolutionaries mistreat the town's riches, General Reyes falls for beautiful and wild Beatriz Peñafiel, the daughter of one of the town's richest men.

In Santiago de Cuba in the early 1950s, history begins. A young woman of high society becomes pregnant with a false love, her father orders his black maid (Dolores) to kill the baby (Alberto), but she flees to Havana where Alberto becomes a renowned doctor.

The dynamics of a typical middle-class family are shaken up after the introduction of an enthusiastic door-to-door vacuum salesman.

After listening to the waltz "Carmelita", dedicated to his wife, President Diaz instructs Don Susanito seeking the composer Chucho Flores to give her a piano. Don Susanito located Chucho, a bohemian who lives drunk and surrounded by poets and artists. Don Susanito was named patron protector of artists and aspiring young stars of the stage, which leads to a series of adventures in the middle of songs, dances and loves.

A bullfighter suffers an accident during an afternoon of bullfighting in a town square and his ex-lover tells his story.

Doña Margarita, a lady of high society, wants for her son Pablo a wife of the same social level. He, however, loves the dressmaker’s daughter, whom he secretly marries thanks to the services of a priest friend. The couple must continue fighting against the matron’s crooked plans, until in an unfortunate accident, Pablo kills his wife’s stepfather and must flee to Europe. Years pass, and Pablo is unaware that he has a son. When he finally returns, thanks to the child, he reunites with the love of his life and definitively puts an end to the perverse plans of his mother.

Unjustly accused of theft, the noble Raimundo is forced to leave his paternal home. A new incident, caused by the ambition of his brother José, causes Raimundo to be disowned by his girlfriend María and by his father, the just and strict Don Pepe. The only one who believes in Raimundo is his mother, Dona Lupita, a woman who suffers deeply because of the wrong decisions of her children.

Faded rich family has a housekeeper who struggles to keep them fed and comfortable after their fortune disappears; she also sacrifices herself on behalf of sick and disabled friends.

Amable is the drinking buddy of Paquito, a former medical student who plays Fanny's love, a cabaret singer and also with Conchita, a showgirl. One day, Paquito receives a telegram that his uncle Pancho vayaa asked to see his wife and other medical eminence to heal him his kidney ailment. Among all a hoax to mount Paquino not lose the inheritance from his uncle.

In a Mexican village during XIX century, word spread of a curse. Old José tells Carmen about the curse surrounding the Bridge of Punishment, said to affect anyone who wishes for another person’s death.

Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.

Benedito the barber, mocked by everyone in the village, lathers the head of a blind customer just as the man regains his sight. Benedito becomes a celebrity, and everyone seeks his services.

The story revolves around Evaristo who¸ accompanied by his drum¸ dreams of becoming a great figure and imposing his music on the whole world. Evaristo composes cumbias and more cumbias on his ranch and then in jail¸ where adverse situations take him. Meanwhile his delusions begin to come true¸ and without knowing it¸ his name and rhythm become famous.

Aspiring opera singer Luis Landa returns to his hometown to avenge the murder of his brother.

In mid-nineteenth century Guanajuato, the beauty and charm of the young heiress Amalia conquers the lowly foreman Ricardo with fatal results. Prevented from consummating their love, Ricardo is going to Guanajuato where again later become the rich owner of a mine. On his return, fate has prepared a tragic encounter with Amalia.

Alberto (Fernando Soler) is married with Rosario (Blanca de Castejón), who is a saint and doesn’t realize that her husband is a womanizer that has a lover, Elena (Leonora Amar), whom is an artist and works in the theater, but when Alberto tries to break up with her in order to have a relation with Alicia (Hilda Sour) everything starts to go south for him.