Wild at Heart

Before director Lo Wei helped to discover Bruce Lee and the king of kung-fu comedy Jackie Chan, in Madam Slender Plum, Lo perpetuates the career of yet another Shaw's non-action, femme fatale starlet; the sleek and sexy, puppy-eyed Eurasian Jenny Hu. It's a melodrama with a touch of murder-mystery in the vein of an old Alfred Hitchcock movie where Diana Chang plays the mother with Jenny playing her oldest daughter.

Tang Monk is a woman, and she was almost killed by Wukong XX when she went out, but fortunately, the spider spirit appeared immediately. After subduing Wukong, the two masters and apprentices immediately went on the road to Gao Laozhuang...

Nineteen-year old Li Ching scored a major success playing the title character, Susanna. Li's youthful exuberance is given free rein in a role that embraces rebellion, love, betrayal, tragedy, and ultimately, redemption.

Lung (Tony Poon), a rookie bodyguard, falls in love with the first subject he's overseeing, May (May Cheung). She has come to Hong Kong with false hopes of being a singer, but she's unwillingly set to enter the world of prostitution instead. Into this equation comes a model agency head (Margaret Lee – We're Going To Eat You) who's determined to conquer the love of Lung.

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.

The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man

The mythological tale of a quest from China to India to bring back Buddhist scriptures, famous for the adventures of Sun Wukong, the notorious Monkey King.

War and time change everything. Their love becomes more than reunion, it becomes a reckoning with what was and what could've been. Part two of the wartime love story.

Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."

Before Michael Mak’s Sex And Zen became a cult favourite in the ’90s, there was Ho Fan’s Yu Pui Tsuen (The Carnal Prayer Mat, 1987). But without sex bomb Amy Yip, coarse humour or lesbian love affairs, Yu Pui Tsuen had to rely on the nudity and sex from his cast of relative unknowns to save the day. When a young man dreams that he drowns after a night of carnal passion, he asks a buddhist monk to translate the experience for him. The monk replies that the dream is a warning not to indulge the pleasures of the flesh to excess, but the man ignores his advice, marrying a virgin and making love to her constantly. However, after several torrid affairs, the man begins to realise the sagacity of the monk's warning.

Adapted from the same infamous ancient text as the popular 1992 opus Sex and Zen, this film. Mei Yeung-sun is a man of letters who is less than thrilled with his sex life with his comely young wife Ti Yuk-xiang. Yet when Mei uncovers the family sex manual, their physical relationship improves considerably. So successful is the transformation that the two spend all of their time in the sack, much to the consternation of the girl's father. Later, Mei leaves home supposedly to become an official in the big city. In fact, Mei really plans to troll around the countryside and have sex with as many women as possible. Thanks to the advice of master thief Tsoi Kwun-lung, Mei visits a noted doctor and leaves the place with a massive newly installed penis. Brimming with cocksure confidence, he soon seduces lonely housewife Yim-fong. Her thuggish husband Kuan Low-si soon gets his revenge.

David is sitting in a bar, musing over why he has bedded and left five or six of Asia's loveliest women in such a short time.

A compelling study of three girls and the paths they choose to stardom when they cross paths with a womanizing artist.

The setting of the Black Brick Castle that harvests poppy seed. But times are tough as the wait for a ship that is picking up the latest batches has either been intercepted by robbers or won't come at all and the boss of the castle, Chen Tsao, once was part of the robbing gang before inheriting the family business slowly loses his mind. Despite the copious amount of concubines around him, he is not able to impregnate a woman. and he made Chen Mao, a worker impregnate a concubine to have a heir. His father's outgoing ways with several concubines and opium smoking, seems to somewhat stop at him. But worldly circumstances possibly having to do with poverty and famine outside of the castle walls doesn't make matters stop at him to turn around in a positive way. On the other hand Chen Mao, has an eye for one of the female workers who is married to abusive Kui Kong who thinks she brings bad luck to him, although she struggles to raise her two children with this curse she's said to carry.

Disillusioned prostitutes try a new career in pornographic films.