Goin South

Al-Gaid emerges as a captivating epic adventure, unfolding against the backdrop of the 20th-century wintery northern Arabian desert. Boldly redefines the adventure revenge genre and Bedouin soap operas, crafting a unique narrative.

Not long after Nasser sets out with his adolescent son to attend a wedding he finds out that his father is dying. Unfavourable circumstances not only affect the original purpose of their trip but also begin to impact the relationship between Nasser and his son, Waleed. Indeed, the interaction with their relatives exposes a serious underlying problem: much to his father’s disapproval, Waleed doesn’t identify with the strong traditions that have been upheld for generations. Through its story of a family encounter the film adopts a realistic approach to gradually uncover the divide between the rural community and the more liberal-minded inhabitants of Riyadh. In so doing the work presents a critique of deeply rooted Islamic customs and seeks to establish the extent to which patriarchy determines paternal love.

Year 1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

In the heart of Riyadh, where desperation and opportunity collide, Mandoob brings forth the gripping tale of Fahad Algadaani, a mentally fragile man racing against time to save his ailing father. As his world crumbles under the weight of financial burden and societal indifference, Fahad's life takes an unexpected turn when he is forced to make ends meet as a humble delivery mandoob.

This black humor pan-Arabic anthology series is about love in general – and relationships in particular.

A one-shot short follows two teenage sisters leaving their house to buy a wedding dress.

At 40 years old, Saify Muhammed is a washed-up confidence trickster who owes money to everyone, including his ex-wife. Now he is trying his hand at blackmail. The year is 2000; Saify has a dilapidated music shop selling cassette tapes, including recordings of banned Islamic sermons he mistakenly thinks will turn an illicit profit. His sermon supplier is Al-Mahdi, shady religious advisor to the local bigwig Sheikh Asaad Aman, who has a name as a philanthropist. When Saify finds one tape containing a scandalous recording of the influential Sheikh Asaad, he thinks he’s finally in the money.