Peau de Chagrin/Bleu de Nuit

A young cattle farmer is approached by an unscrupulous veterinarian to make a shady deal with a notorious beef trader.

Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?

A journey between hope and dystopia in a hallucinated Kinshasa, from the culture of the hair salon to futuristic solitary clubbing, from an urban parade to a dictator's sense of glory to a modern western in the style of Takeshi Kitano.

Binti is a 12-year-old girl of Congolese origin who dreams of becoming a famous vlogger like her idol Tatyana. But when the police raid her home and try to deport her and her father Jovial, they are forced to flee. Binti meets Elias and befriends her. While Binti helps Elias to vlog about his 'save-the-okapi-club', she hatches the perfect plan: her dad has to marry Elias’s mom, so they can stay in Belgium.

After spending years in Belgium, a young Congolese man returns to his birthplace of Kinshasa to confront the intricacies of his family and culture.

Kaniama Show is a satire of national TV in an African country, spreading its propaganda of soft power between complaisant interviews and musical interludes.

Ancestral patterns combined with modern prejudices and stigma explain skin bleaching.

A depiction of the urge for freedom. Through 4 episodes we see 4 family members in a moment when they are tired of being a camel, as a beast of burden. They realise their tasks are meaningless and find themselves in a spiritual desert. The camel wants to become a lion. A spirit that fights against the false values in order to find his own place, his own freedom. Vincent, Renée, Alice and Robin are searching for the strength to undergo this transformation.

INFINITE TROLLING toys with the infinite scroll that fuels social media – and this erratic stream of content as a path to desensitization. Oscillating between narratives, the film moves through a series of disjointed yet intertwined vignettes, finding a disquieting sense of the surreal in the art of assemblage.