Angelo, das Mysterium des Schlosses Drachenegg

An eccentric millionaire brings together four men who, under different circumstances, wanted to commit suicide. The proposal made to them is the following: they will travel to an islet that, according to legend, emerged from the sea when Atlantis sank and that houses a fabulous treasure buried by the Incas. But that territory is populated by the worst band of pirates and evildoers the world has ever known.

Heinrich Zentler is a successful man, both on football and in his legal career.

A French violinist saves his beloved princess from the Russian revolution..

The young student Mary spends the beginning of her holiday with boat trips, visits to her wealthy groom, and gardening. In fast-paced, rhythmic cuts, Louise and Jakob Fleck draw their audience into a carefree, urban romantic comedy. With a single scene, however, it turns into a melodrama about sexual violence, shame and perpetrator-victim reversal.

The sinister Count Oetsch scandalizes the aristocratic social gathering at Castle Vogelod as he announces his intention to "crash" the festivities. Baroness Safferstätt is expected shortly, and the guests are well-aware of the rumors that Count Oetsch murdered the baroness' late husband. Oetsch refuses to leave, vowing that he will reveal the identity of the real killer. Before the weekend is through, the Count and Baroness will reveal secrets too shocking to be believed!

In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

Silent epic on the final years of Frederick II.