The Acid Test

A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.

"Conditions" - The improvisation-based performance was inspired by psychiatrists such as RD Laing (Family and Madness) and J. Foudraine (Who is of wood). The Werkteater played this performance 'in the den of the lion': in psychiatric institutions for patients and carers. This led to very intensive and adventurous performances in which 'a lot' always happened. Afterwards the discussions sometimes ran high, but even during the performance the audience sometimes mixed themselves in the scenes.

An associative view of the days, nights and characters that enclosed the life of Arthur Janov, which defines in the conclusion "It's never too late to have a happy childhood". Arthur Janov (1924-2017) was a classic instance of being the right charismatic therapist at the right time - the zeitgeist. Dr. Janov first heard about the embryo to the primal scream through one of his patients when he performed conventional psycho dynamic therapy. It was an absurd theatre performance by Raphael Montañez Ortiz called "Mommy, Daddy" presented in London, 1966. The birth of Primal therapy happened when Arthur Janov's book, "The Primal Scream" was published early 1970.

Pre embodied the spirit of athletic excellence. He had a belief in self and sport that transcended all but the outer reaches of human speed and endurance. As a freshman, he appeared on the cover of Sports Illustrated, which hailed him as "America's Distance Prodigy". By the time he died in a tragic auto accident at the age of 24, Pre held all 7 American records between 2,000 and 10,000 meters. Off the track, he fought relentlessly for the rights of amateur athletes to prosper for their sacrifices. Narrated by Ken Kesey, Fire On the Track is the story of this young lion's life, as told through rare footage and the memories of those who knew him best - his teammates, coaches, family and friends. Interviews include David Bedford, Frank Shorter, Ian Stewart, Bill Bowerman, Jeff Galloway, Dick Buerkle, Lasse Viren, Dana Carvey, Mac Wilkins, Kenny Moore, Dave Wottle, Alberto Salazar, and many more.

Hank Stamper and his father, Henry, own and operate the family business by cutting and shipping logs in Oregon. The town is furious when they continue working despite the town going broke and the other loggers go on strike ordering the Stampers to stop, however Hank continues to push his family on cutting more trees. Hank's wife wishes he would stop and hopes that they can spend more time together. When Hank's half brother Leland comes to work for them, more trouble starts.

A musical play themed with the end of the world, leading up to the Millennium. Set in the land of Oz, with commentary by a talking skeleton and peopled by archetypes ranging from Dorothy, the Tinman, and the Scarecrow to Elvis and Frankenstein, all scrambled together in ever-bickering banter.

High school seniors Wade and Lorna have spent all their lives in the small logging town of Calamus Grove, a conservative place where change comes slowly. Jesse Howl, a teenager of Native American ancestry, has just moved to Calamus Grove, and soon finds he doesn't fit in this close-knit community. Wade and Lorna go out of their way to befriend Jesse, and soon find that they're also regarded as outcasts among their peers. Eager to get away from the narrow minds which are stifling them, the three friends grab a car and take off for a summer road trip that turns out to be full of lessons in life and love.

A girl born with enormous thumbs in the repressive era of the 1950s learns to turn her quirks into assets.

McMurphy pretends to be mad to avoid a prison sentence but existence in the mental hospital is not what he imagined.