So We Live

Qusay and Nabil, two Syrian friends in exile, witness a cycle of violence, from dictatorship to democracy. Scenes of their previous revolutionary past in Syria intertwine with images of police repression in Berlin, while the violence that persists after Assad's fall paints a picture of a world where seeing men carry weapons seems more natural than seeing them touch each other tenderly. Between documentary and fiction, this film invents a queer language where a touch becomes political, care becomes resistance, and love a way to oppose violence.

Sections of one day showing the complications of a relationship between a mother and her daughter. It explores the fine lines of an intense relationship built on a pain that has never been confronted.