The Dream of the Red Chamber

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

Based on Romance of the Three Kingdoms, Diau Charn is a sublime retelling of a familiar tale with iconic actress Linda Lin Dai (Lam Doi) in the titular role of Diau Charn, one of the four storied beauties of ancient China.

An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.

Emperor Chien Lung uses disguises to experience life among his subjects.

TIGER KILLER (1982) is a straightforward adaptation of one story from the sprawling Chinese literary epic, "The Water Margin." It tells the tale of Wu Song, who slays a man-eating tiger preying on farmers and villagers and becomes the hero of the province, getting appointed as a constable by the local magistrate. He is reunited with his older brother, the short, disfigured Wu the Elder, a peddler of buns, who invites Wu Song to move in with him and his new wife. The wife, Golden Lotus, is an attractive young former maid who had been forced to marry Wu the Elder as punishment for getting caught in bed with her master by the master's wife. She takes a liking to the handsome, strong Wu Song, who rebuffs her attempts to seduce him. When Wu Song is sent on a long journey, the wife begins an affair with a rich local merchant. When Wu Song returns from his mission, he is met with shocking news which sets off a series of violent acts of retribution.

This story is centering around a Ming Dynasty brothel that steams with secret erotic myths, trysts and twists of pleasurable indulgence. A shaw production

In the 18th century, Emperor Chien Lung makes a journey into Southern China.

Golden Lotus is based, in part, on Jin Ping Mei, a famous erotic novel of ancient China. Li Han-Hsiang adapted part of the story into this film, which starts with Hsi Men Ching, a successful merchant, wooing Pan Chin Lien, the beautiful wife of one of the townspeople.

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

A corrupt local official, Xi Men Qing, who lusts after women and money, pursues his brother's young wife, Lee Ping Er. Ping finds Men attractive, and under her drunken husband's nose, she and Men work their way through the illustrations of a pillow book, the "Golden Lotus." Men pursues the same feat with his fourth concubine, Pan Jing Lien, who lives in the compound next to Ping. Jing's jealousy compounds a tale of humiliation, childbirth, death, and depravity. Does karma or enlightenment await anyone?

Dramatization of events from the Second Opium War which culminated in the looting and destruction of imperial estate "Yuan Ming Yuan", AKA the Old Summer Palace by invading English and French troops.

Han Hsiang Li's lush epic re-creates the fascinating life and times of Tzu Hsi, the Manchu Qing dynasty empress who rose from the ranks of Emperor Xianfeng's many concubines to become the de facto ruler of China for nearly 50 years.

The movie is about an illegal salt smuggling ring run by Tanny and her male partner, who spend most of the movie arguing which one of them is going to sacrifice him/herself and surrender to the police.

Despite Kuang Hsu's enthronement as the last reigning Emperor of China, his ability to rule effectively is overshadowed by the ever-present power of the Dowager Empress.

Perhaps the most notorious concubine in Chinese history, Yang Guifei set a pudgy standard of beauty in her days of glory during the Tang dynasty. The Emperor Minghuang was so besotted with the woman that when An Lushan stages his rebellion against the empire, the ruler takes Yang Guifei along with his imperial entourage in an escape to the mountainous area of modern-day Sichuan, and sanctuary of sorts. But the concubine had roused the jealousy of the court and unfortunately for her and to the great sorrow of the king, her brother and others among the king's retainers demanded she be strangled to death while they were still in the mountains. This is the story told in this interesting Taiwanese adaptation by director Li Han-hsiang (Li Hanxiang).