The Diary of Ana and Mia

Argentine trap star Duki gives an intimate look at his past and career, from early rap battles to his rise as a verified hitmaker in this documentary.

The murder of photographer José Luis Cabezas in the summer of 1997 deeply shakes Argentina, and ends up revealing a mafia scheme in which the political and economic powers appear to be involved.

The military coup of '76 means that the birthday of a little girl named Paula does not pass normally.

The stories of four solitary characters form a single plot in which the rules of the game are determined by chance. Everyone is finishing something; everyone, unknowingly, is about to start over.

Yiya Murano poisoned her friends to cover up scams in 1970s Argentina and became a dark figure in popular culture. Freed in the 1990s, she reappeared as a pop icon. Today, her son Martín seeks to reveal her true face.

The problems of a young man, his pregnant girlfriend and his lover.

Fernando and Ana meet again after a few years and relive their love story from two different angles. It is a story (or maybe two) that dives into the universe of the body, the memory of the body, the marks of love, desire, and memories. It is a story in which the "real world" is challenged by the emergence of desire.

A documentary about domestic workers and their peculiar relationship with their employers. Rich and poor, under the same roof, share entire lives and as a consequence, very complex emotional ties arise.

The trauma of a past war can destroy a future life.

The story tells of four moments in the lives of four women: Vera, rising journalist but dissatisfied with life, trying to be the best without knowing where; Lina, always surroended by incense and saints, looking for the love of his life in a television character; Mara Bestelli, who is artificially inseminated without telling her partner that lives abroad; and Inés, whose only goal in life is to marry regardless of the reason for this decision.

Félix Monti is synonymous with cinematography in Argentina. From his early steps in the legendary San Miguel studios to his recent work in large-scale Argentine film productions, Chango has never stopped working. Directors Alejandra Martín and Paola Rizzi, also colleagues of his, chose not to shoot a motionless documentary and filled it with vitality –the same vitality the experienced cinematographer moves around with in every shoot or stage he sets foot in.