Glück gehabt

Two young women are hitchhiking when they get picked up by a man who proceeds to sexually assault them. He disappears after that. The suspicion that the „girls" - having a reputation of being "loose" when it comes to sex - killed him, begins to grow.

Twelve-year-old Marie has a very special relationship with the house where she lives with her extended family. Marie secretly talks to it as if it were alive and interprets strange occurrences in the somewhat dilapidated building as 'human' reactions and behaviors of the villa. When Marie's grandmother, who has been dreaming for years of making humanity happy with her environmentally friendly technical inventions, falls for a con artist, loses all her money, and the property is about to be auctioned off, the desperate girl tries everything to save her home. In doing so, she is not only 'actively' supported by the house, but also by her friends Stefan and Konrad. However, this is complicated by the fact that both of them want to "go out" with her and suddenly demand that she choose one of them.

Hoschek, the former bank branch manager's deputy, returns to his parents' empty apartment and practices the fine art of failure amidst Donauland suggestion books, large-patterned curtains and a rather out-of-tune piano. After losing his job and ending his marriage, the anti-hero played by Alfred Dorfer reviews his life. Heinz Hoschek constantly oscillates between bitter irony and self-pity, between imagination and reality, between a hopeful then and his now, which can only be endured with increased consumption of alcohol and Valium. No doubt about it: the man is an underachiever.

The successful politician Robert is going on a romantic weekend trip with his pregnant wife Katharina as a unexpected old friend of Robert, Wolfgang, suddenly appears on the surface and starts to stalk the couple.

For a moment the otherwise proper station master Thomas Hudetz is distracted by Anna's flirtatious behavior. This results in a catastrophic train accident with countless deaths. Thomas and Anna lie to escape blame, and this lie about their shared guilt forges their bond , changes and ends yet more lives.