My Rembrandt

Lous, the mother of filmmaker Oeke Hoogendijk, hasn’t left the house for decades. She has a recurring nightmare in which she doesn’t know how to get home, just like the day when as a Jewish girl she was deported.

A documentary about the fascinating and complicated process of the rebuilding of Holland's most famous museum, The Rijksmuseum. The film shows the people behind the scenes during the years of demolition, restoration, and political and financial debate. We witness their efforts, joys and struggles with one goal in common: the love of art.

It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?

Internationally acclaimed director Oeke Hoogendijk reconstructs the musical universe and dramatic life story of the legendary and controversial composer Karlheinz Stockhausen. Licht shows the creation of his magnum opus; the most radical opera cycle in history.

The De Mol van Otterloo couple has the most important and largest private collection 17th-century Dutch and Flemish masters in the world. They collected from Ruisdael, Steen, Dou, Cuyp, Potter, Lievens, Hals and yes, also a Rembrandt. There is millions of masterpieces on the walls of their villa in Massachusetts. But what do you do with such a collection? Together with the friendly couple Weatherbie, who also built up a special art collection, they decide that their collections should stay together after their death. The result is an art gift that is unparalleled.

Documentary about the Rembrandt Association. In the 19th century, a lot of Dutch art disappeared abroad, before the Rembrandt Association stood up in 1883 to put a stop to it. Today, 140 years later, the Association still helps determine what art lovers see in Dutch museums. In their crowning year, the Association faces a difficult choice: will they make the largest contribution in their history to the purchase of Rembrandt's De Vaandeldrager? The amount of 175 million needed for the painting is causing discussion. Is this money well spent?