Witness to the Mob

An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.

Island at War is a British television series that tells the story of the German Occupation of the Channel Islands. It primarily focuses on three local families: the upper class Dorrs, the middle class Mahys and the working class Jonases, and four German officers. The fictional island of St. Gregory serves as a stand-in for the real-life islands Jersey and Guernsey, and the story is compiled from the events on both islands. Produced by Granada Television in Manchester, Island at War had an estimated budget of £9,000,000 and was filmed on location in the Isle of Man from August 2003 to October 2003. When the series was shown in the UK, it appeared in six 70-minute episodes.

Adaptation of the novels written by Georges Simenon featuring his fictional French police commissioner Jules Maigret.

A team of exceptional forensic pathologists and scientists investigate heinous crimes and use their skills to catch the people responsible.

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

Created from the novels by award winning crime writer Ann Cleeves, Shetland follows DI Jimmy Perez and his team as they investigate crime within the close knit island community. In this isolated and sometimes inhospitable environment, the team have to rely on a uniquely resourceful style of policing.

When he was a little boy, Dillon's rock musician father and hippie mother died in a traffic accident. Now in his twenties, Dillon wants nothing more than a normal, responsible life, working in an office and taking care of the grandmother who raised him. But his grandmother has other ideas, and Dillon finds himself lured into an alternate lifestyle of art, pleasure and rebellion.

Period drama. A woman living in Dublin in the late 1930's relieves her humdrum existence with fantasies that her newly-moustachioed husband is her screen idol, Clark Gable.

In a tented field hospital on the coast of France, a team of doctors, nurses and women volunteers work together to heal the bodies and souls of men wounded in the trenches.

A sharp detective with a messy life, DCI Vera Stanhope patrols her “patch” of northeast England, pursuing the truth in cases of murder, kidnapping, and blackmail. Vera is obsessive about her work and faces the world with caustic wit, guile and courage.

At the beginning of the 20th century, a young servant provokes an independent Irish farm community by her relationship with two brothers. Pregnant, she refuses to reveal the name of the father.

Citizen Lane is an innovative mix of documentary and drama that delivers a vivid and compelling portrait of Hugh Lane, one of the most fascinating and yet enigmatic figures in modern Irish history. A man of multiple contradictions, by turns infuriatingly parsimonious or extraordinarily generous, a professed nationalist and a knight of the realm; a monumental snob and a fearless campaigner for access to the arts.

Irish emigrants in London and New York are contrasted with life in Ireland where unemployment and deprivation are said to be endemic. The experience, effects and meaning of emigration in 1980s Irish is examined using a combination of interviews with emigrants, commentators and politicians. The film also features inserts of a stand-up comic performing in various locations, adding a surreal element to the programme.

Mixing classroom dramatization with documentary material, interviews with former students who recall barbaric punishments in the name of learning, and a 1932 newsreel of a triumphant Catholic congress in Dublin, this piece poses a challenging and controversial exploration of the Christian Brothers' education system in the 50s.

The story of Anne Devlin, who was caught up in the revolt of the Irish under Robert Emmett in 1803, told exclusively from the woman's point of view.

A routine raid led by Emer Berry, a detective in the Irish Criminal Assets Bureau, reveals that a small-time drug dealer has been receiving substantial funding from a seemingly untraceable source – not in cash, but in rough diamonds. When these diamonds are linked to a series of bombings in Belgium, Emer is forced to work with Police Commissioner Christian De Jong.