Nightfall in Shanghai

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking

A short contemporary story about the crew of a small Brazilian fishing boat. Part of the anthology The State of the World.

Contemporary economic conditions in Nepal are examined with documentary images, interviews, and narration. There has been, for many years, a labour migration from across Nepal to India ’s cities. This short film is set in the underground parking lot of an apartment building in Bangalore, in South India. One Way follows the livelihood of a security guard named Shyam Bahadur, who lives with the rest of his family in the electric switching room of an apartment block, to whom he provides service for the sake of survival. The narrative of the journey he made 35 years ago, from the mountains of Nepal to the southern plateau of Bangalore, punctuates his day-to-day life in and out of the basement. As his personal story unfolds, the hills of Nepal are being rocked by “the people’s war,” yet another historical disturbances that has forced Nepalis to emigrate for work.

Modern China. On a bright sunny day, in a building site, an industrial complex is being deconstructed. Night falls. The ruins of the factory are empty and silent. Phantoms appear, voices are heard, telling their stories....From the anthology The State of the World.

Pedro Costa's segment from "O Estado do Mundo".

Commissioned for the centenary of the famous French architect and designer Robert Mallet-Stevens and shot on the street that bears his name in Paris' 16th arrondissement, Rue Mallet-Stevens depicts a mysterious, nocturnal scene of romance (featuring Akerman and her partner, the cellist Sonia Wieder-Atherton) unfolding before and inside one of the street's modernist constructions.

A lonely young widow lives with her son following an immutable order: while the boy is in school, she cares for their apartment, does chores, and receives clients in the afternoon.

Chantal Akerman was commissioned by Visions to make this short film for £20,000. It was first shown on 21 November 1984, on Channel 4. Akerman herself plays the role of a director visiting Hollywood to find financing from an uncle she hardly knows. Very little goes to plan… Also stars Aurore Clement and Colleen Camp.

A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.

In this incisive dispatch from the newly collapsed Soviet empire, bullet holes from WWII still pockmark the old stone buildings. Akerman journeys from East Germany to Moscow between the late summer and winter of 1993 ('while there’s still time'), chronicling in deliberate tracking shots, circular pans, and domestic tableaux yet another moment of radical upheaval in the 20th-century, the faces and bodies of Poles, Ukrainians, Germans, and Russians weighed down with obedient resignation and uncertainty.

Impersonal and beautiful images of Akerman's life in New York are combined with letters from her loving but manipulative mother, read by Akerman herself.

A compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.

Detached filmmaker Anna Silver arrives in Germany to show her latest film; over the course of some days, she encounters a variety of new and old faces, some of whom make personal revelations to her to little affect.

"A man stands amid unpacked boxes in his new home, delivering an extended monologue on indecision and dislocation. This rarely seen, overlooked gem created by Akerman for television explores the quotidian crises and profound feelings of alienation that run through her work." - BAM

The main character, Michèle, spends the hour discussing her views of life with some old and new friends, and tries to understand her own feelings about her place in the world and her sexuality, while a camera follows along at close range.

Several young men and women arrive one after the other at Hôtel des Acacias, full of hope, desire and vitality. In the bustle of this hotel, everyone is looking for love. Hôtel des Acacias was an exercise guided in 1982 by Chantal Akerman at Belgium’s INSAS audio-visual college.

In 1940s Malaysia, European merchant Kaspar Almayer is obsessed with finding a treasure to secure his daughter's future. His dreams fall victim to the pressure of his own greed, which becomes a torment. Compounding this is the oppressive English domination dominating the country – and that which brings ruin to the remote village where he lives.

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.

Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.

Belgian director Chantal Akerman struggles to overcome her laziness in the name of making a film about the subject.