Manuela's Loves

This award-winning film by André Melançon -- set on a ranch on the pampas of Argentina -- tells the story of three children spending a summer with their grandfather. The youngest, Felipe, makes friends with a puppy; his older brother, Daniel, breaks and train his first horse; their 13-year-old sister, Laura, struggles with the transition between childhood and growing up. The kids find it difficult to adapt to their proud and stubborn grandfather, and he learns that he has to change his ways and try to understand them as they all experience the joys and sorrows of growing up and growing old. ~ Alice Duncan, Rovi

Now in his thirties, Antoine Doinel is a divorced proofreader in love with a record seller. Colette Tazzi, now a lawyer, buys his first published autobiography, leading them to a chance meeting.

A widower maintains a memorial room filled with his late wife's belongings. When fire destroys it, he transforms a chapel into a new shrine to preserve her memory.

René Lévesque was a Canadian television miniseries that aired on CBC Television in 2006. It stars Emmanuel Bilodeau as former-Quebec premier René Lévesque.

Nothing gets by Simone, even though she's blind. An adorable, incredibly precocious ten-year-old girl, Simone sets herself the task of coping with (and sometimes manipulating) the many offbeat charact... read more ers that surround her- including her broken-hearted father, an aging anarchist beekeeper, a beloved and asthmatic quasi-mother-in-law, a priest in the midst of a crisis of faith, and a biker with a wandering heart, for whom she has unconditional love. And then, of course, there's the village in which she lives, where everyone knows your business and makes it their own. No wonder Simone feels that she lives her life like a reel of film jumping in the sprockets of a projector. Life is strange and complicated enough, and then an aviator falls from the sky, threatening everything Simone loves the most.

In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover's wife, and both these scenes take place in a ladies' room, one backstage at a play that's about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.

Chez Jules is entirely shot in the TNM women's bathroom, where we came across a hotbed of conversations and spicy exchanges.

Un homme seul. Une femme seule. Lui, à l'aide de son ordinateur, voudrait désormais pouvoir gérer ses relations amoureuses; elle, de son côté, désire continuer à mener une vie autonome. Philippe et Hélène vivent donc dans une bulle, en solitaires, soignant les blessures d'une relation précédente, jusqu'au jour où ils se rencontrent. C'est le coup de foudre! Mais ils ont si peu en commun, sinon la peur de se faire mal, de décevoir et d'être déçus, de se tromper à nouveau... A single man. A single woman. Him, only wanting to interact with romantic relationships through his computer screen. Her, wanting to have an autonomous life. Phillipe and Hélène live their lives in a solitary bubble, healing their wounds from a previous relationship, until they meet. It's love at first sight! but they have so little in common, except the fear of being hurt, of dissapointing or be dissapointed, of being wrong again...