The Upper Gate

When Mona marries the seemingly decent police officer Hisham, she finds out there is more into him than what he shows to the people.

Hend is a young widow who works as a maid, she meets Eid the conman who goes to prison and leaves her pregnant. While Camellia is a divorced maid who supports her unemployed brother and his family in exchange for letting her sleep over in his apartment.

Ramzi is a principled musician who lives in his inlaws house. He plays the piano in a resort to make a living. When his sister in law, who hates music, kicks him out, he moves back to his mother's department, and meets Amira, a childhood friend

Seven militant women (fedaiyat) of the revolutionary generation tell the story of the Palestinian resistance through accounts of their own lives. Cut from 35 hours of interviews with leaders of the armed struggle, the film presents an image of confident, unapologetic and proud feminine identity. Together, the memories of these women narrate the dream of a generation, yet unrealized.

Deals with the memories of Palestinian female guerilla fighters, currently in their forties, who were involved in military operations during their teen years.

This film explores testimonies from expelled residents of Tantura, a former Palestinian Arab fishing village that was located 28 kilometers south of Haifa on the Mediterranean coast of Palestine. In May 1948, the village was attacked by Jewish Haganah forces as part of a regional “cleansing” operation in the foothills of Mount Carmel, with the goal of expelling the Arab residents. Many Palestinians were killed and hundreds were imprisoned. Those who survived fled to the nearby village of Fureidis, which was spared destruction when Jewish residents of nearby towns interceded on its behalf. Other survivors became refugees in the West Bank, Lebanon, Jordan, and Syria. Kibbutz Nahsholim and Moshav Dor were subsequently built on land on the outskirts of Tantura. A mass grave is believed to be located under a parking lot, but current residents oppose exhuming the bodies.

Amal Ramsis captures the essence of a society under a dictatorship where political rights are severely restricted, but a strong social and political movement persists. Unbeknownst to the crew, the revolution begins on the last day of shooting, transforming the film’s narrative and direction.

A visit to Ain Elhelwi and Shateela camps in the year 1999.