The Boy with No Shoes

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

On a commuter's trip from Manila's business district to the suburbs, the director finds a myriad of possibilities, ranging from miniature ironic situations to a love story that is finally finding its unexpected closing.

From several immersion trips and in-depth interviews conducted by performance artist-activist Mae Paner and playwright Maynard Manansala emerge four characters, four monologues that each give a human face to the issue of extrajudicial killings (EJK). A photojournalist transformed by the brutality he witnesses while covering the tokhang beat; a Zumba instructor haunted by her husband and son, both victims of summary killings; a cop who lives the double life of law enforcer and lawless hitman; and a young girl lighting candles in the “Tokhang Wall” of a Manila cemetery as she reminisces about acquaintances and loved ones, EJK victims all.

Jazz in Love tells the story of Jazz, a young man from Davao whose dream wedding is within reach: his boyfriend of 11 months has proposed. Because no law allows him to get married in the Philippines, he must fly to Germany, his boyfriend's home country, and tie the knot there. One of the things that stand in his way is his inability to speak Deutsch, and to address that he must temporarily relocate to Manila for language lessons. Meanwhile, his parents remain completely unaware of the radical changes that his life is about to undergo.

A thriller about a never-ending war, a town ravaged by a devastating storm, and the woman caught in between.

Charles, an engineering student with an eye for beauty, just returned from school to a dormitory owned by Aling Linda, a strict, lonesome widow. Other occupants of the dorm include Max–now on his 7th year in college, Sheen–his reluctant partner, Steven–a social entrepreneur, Ramon–his cop lover, Alex–a call center agent, and Jenny–his attentive girlfriend. They all spend the evening tucked away in solitary rooms, talking about collective experiences, sharing a similar fate. And rent is due.

Natoy, like any other child, finds joy and excitement in the simplest of things, especially in eating halo-halo filled with pink gelatin and red sago. Things change suddenly when, as he is watching television, a news report about the ongoing war in Mindanao shows footage of a badly wounded soldier waiting to be rescued. That soldier, almost bleeding to death, is his father, Corporal Lino Bolante. This starts his journey as he and his mother Sonia wait for help that comes too late. This story does not only show how the war in Mindanao robs a child of his innocence, but also shows the shadows of war that Filipino homes confront everyday.

Ulian centers on young Dayang and her Grandmother in their journey of self-discoveries in unexpected circumstances. Together they explore each other's consciousness to realize the most important thing about growing old and growing up.

From low budget B movies to films that outlived trends, Eddie Romero did not wait for permission. He worked with what he had, trusted the story, and kept going. Take after take. Decade after decade. This is not a victory lap. It is a reminder that cinema moves forward because someone dares to try again.

Food Delivery captures the valiant efforts of the Filipino fishermen, Coast Guard and Navy to deliver desperately needed food to communities, all while defending their livelihoods and national sovereignty in the contested West Philippine Sea. Each catch and mission becomes a powerful testament to resilience, unity, and pride.

Home of the Brave follows the lives of Amelia and Lord, two PWC worker leaders who have experienced wage theft, human trafficking, employer abuse, and exploitation. Through the support of the Pilipino Workers Center and a caring Pilipinx community, they stood up for their rights, sought justice for themselves, and fought for a better life for their families.

A young soldier comes home after a siege and faces a different war.

Alfad, a Lumad whose soul returns to his homeland to settle unfinished businesses and to finally rest. It is based on the Lumad’s belief that when a person dies his soul goes back to his homeland.

In sickness and in health, should marriage really be an unconditional partnership that should never be broken? Christina, in her 30's, is married to Hector, a husband who's paralyzed and therefore physically incompetent to consummate their marriage. She wants to liberate herself from a sexless union. Her needs as a woman are unfulfilled. But her love for Hector, and her commitment to him coupled with the dictates of her faith and marital vows, and her sympathy and care for her husband keeps her in "cage of marriage," where she suffers in melancholic solitude, yet contemplates on freedom and rediscovering her true worth. - Written by Lilit Reyes