Work (or To Whom Does the World Belong)

HOLE_AID presents Up the Catalogue, an ambitiously small film set in a fictional shopping channel by the name of 4QTV. Tasked with flogging a seemingly endless cycle of questionable products, star presenter, Hailey Cartin, is starting to fear she might be trapped in live television. When a rival product demonstrator eventually forces Hailey to confront her own quest-defying reality, will she ever be able to climb out of the hole she’s now in? Maybe. But maybe not. (And certainly not without the generous help of the film’s sponsors, HOLE_AID.) A story for the ages, Up the Catalogue boldly takes the shopping channel film genre away from cult classic territory and straight into the mainstream.

The story of Sigga, a 17 year-old girl trying to leave home in Iceland, and make her way to California.

Ana lives in a remote village on the Spanish plateau, and spends her summers selling underwear in her uncle's shop. An unexpected encounter with two youths from a neighbouring village awakens in Ana hope of an escape from this monotony.

The film unfolds the life of an enclosed monastery over the course of one day. It invites the audience into a world of enclosure which is rarely seen from the inside. It is a portrait of both the interior of the building and of Jennifer, a Carmelite nun.

After the recent closure of the Carrio well, a symbol of the end of an industry that has marked the character of a town, Barredos faces depopulation and oblivion. However, the testimonies of those who are still alive and the photographic material from the mid-20th century by Corsino García Alonso, a local photographer and grandfather of the author, manage to show that the memory still endures. The stories of its heyday told orally and visually and its characters intertwine and contrast with a current declining, empty post-industrial landscape.