The Prude

A retired old man sees his life turned upside down by the discovery of the corpse of a young woman.

The underworld (imaginary and real) of Paris, depicted through several sketches. Kaleidoscope of the immoral and nauseating aspects of the capital.

After losing her mother in a car accident that leaves her with a broken arm, 4-year-old Ponette struggles with anguish and fear. Left by her father with a caring aunt and her children, Ponette grieves, secretly hoping her mother will somehow come back. Confused by the religious explanations provided by adults, and challenged by the cruel taunts of a few children at school, little Ponette must make her way through her emotional turmoil.

Pierre has disappeared. His ex-wife Fanny, their daughter and Maria, "the other", go looking for him. There and at the Grand Hotel de Cabourg with a very young new conquest. Each in their own way will try to flush him out and allow him to come to terms with himself. In the midst of all these women, Pierre Flanche stiffens up, questions himself with his aggressive but aging charm. The finale in the mist of the beach is like the random movement of feelings.

Set in Paris 1941, two Jewish boys cling to their lives by doing all sorts of odd jobs, stealing and black-marketeering.

Twenty-year old misfit François earns his living by gathering boxes and bottles to resell to local shopkeepers. He lives with his grossly insensitive mother and stepfather. Mado is a gawky 11-year old, who is neglected by her family because of the oddness of the way she expresses her affection. For reasons which never become clear, François kidnaps Mado, and takes her to live with him in the attic of his parents' home. Instead of feeling fear, Mado enters into the spirit of the abduction, and they joust with one another, increasingly finding love and comfort in their relationship. When the police come upon them, however, they put an entirely different interpretation on their behavior.

Marc, a troubled teenager, is bored in his native, depressing city of Sete. One day, a simple phone call makes him aware of the existence of Stephanie, a sister he has never met. Armed with a pistol his mother found, he goes out to find her. He steals money from a perfume shop, and is then stopped by a policeman who wants to search him. In the car, Marc threatens the policeman with his gun, demanding that he helps him find his sister...

Ismaël, a young thirteen-year old boy, is taken aback by the suicide of his best friend. Not only did he not have any idea that this dramatic act was a possibility, neither did his other friends. Perhaps it had something to do with his having an unrequited love for a beautiful young neighbor, an attraction Ismaël also feels. Perhaps it had something to do with drugs, or a problem with a universally disliked teacher. Throughout most of the film, the young survivors discuss their departed classmate.

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

Bruno devises a mean to test the love of his girlfriend Isabelle. Since Isabelle had been in love with Alain in the past, Bruno invites Alain to a surprise birthday party for her at a hotel -- what better way to judge her feelings than to get them together? Alain arrives with his current girlfriend Lio. Soon after the two couples start the evening off, their polite exteriors deteriorate.

A couple’s verbal sparring intensifies with shoving, punching and wrestling, escalating to the point where their frequent fighting sessions become real love battles…

A French couple has been living in Lisbon for years, and they return to Paris for a friend's wedding. They announce to another friend they are having dinner with that they are going to split.

Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.

Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.

Jacques returns after a long absence to his wife Dominique and their daughter Lola in their isolated house, located on a hillside in Provence. Dominique is crouching and crying. She had asked Jacques to go because she could not stand him seeing her crying. Jacques powerlessly witnesses the excesses of Dominique's emotions. She understands that he loves another woman, and ousts him again...

Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.