Aujourd'hui ou je meurs

When Sasha's mother arrives on her doorstep without warning the young musician is unable to hide her trepidation. As she tries to prepare for the most important concert of her career, the reasons for her mother's visit come to light and Sasha must find a way to survive the remaining 24 hours, confronting both the volatile woman and the past that Sasha had worked so hard to leave behind her.

As her grandfather's birthday approaches, Mila plans a very special gift.

Maxime forgets how to put on her pants and she decides to keep her problem to herself. Gradually, her memory loss forces her to confront more and more difficult situations.

Twenty-five years after she moved away, Canadian filmmaker Kristina Wagenbauer (a participant in the 2019 Talent Lab) returns to her native Russia to visit her grandmother – her Babushka – with whom she spent part of her childhood, in this film brimming with tenderness and humour. The two women reflected in the mirror bear an undeniable resemblance, and each seeks to recognize herself in the other. Plumbing her memories, Wagenbauer hopes to re-establish a lost bond of intimacy and to confront the wounds of the past. Babushka has survived the Second World War, the break-up of the Soviet Union, the void that her daughter and granddaughter left behind when they moved abroad, and, more recently, the death of the love of her life. Despite all of this, she holds to life with a strong spirit of resilience.