LetMeEndWithYou

A wanderer and his son arrive on an obscure northern island of Japan, causing the village of Pu to fall into disarray.

Kumi lives a hippie-like life in Tokyo's outskirts. One night while drunk she stumbles into an abandoned industrial site, except in addition to deserted factories, it is full of forests and greenery. She decides to move there, even further away from the civilization she had already left.

The fictional girls' magazine Monthly Ophelia unfolds the literary world of three female writers born in 1896. Ophelia, a legendary girl who died by the river, is resurrected as a boy and lives deep underwater. She reminisces about her childhood and immerses herself in her favorite books across time.

In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.

It consists of two repeated images: a scene of cutting the back of a hand with a utility knife and blood oozing out, and another one of a man being slaughtered at the beach.

This is an 8mm film shot and edited from 1996 to 1999. There is no story development like a normal story movie, and the image of only the author = the hero like a diary movie continues. There are no lines. The heroine-like existence is a dingy female stray cat. Still, I tried to brew and elaborate how to make a movie time of about one hour, like walking a tightrope, but over a long period of time. As a reference motif, there is Isao Yamada's early work "Yomado". The title "Gootariputra" is not a word with a specific meaning, but is just a coined word of Lazy way of life.

VIDA, starring AV actress Hotaru Hazuki, is an erotic work aiming directly at the Hypothalamus. DEATH is an event that makes life emerge in a different language. The film was entirely self-developed at home

A documentary that centers on filmmaker Mikio Yamazaki, exploring his artistic vision and his feelings towards 8mm film, the primary medium of his work.

A short experimental film based on footage shot in 2020 that was left unedited for years until the director finalized it as a digital release in 2026. While Mikio Yamazaki originally intended to compose the film's soundtrack himself, he eventually abandoned the idea and instead featured tracks by the popular Indonesian pop singer Happy Asmara.

A self-produced feature film. The main character, an 8mm filmmaker, has a bronze statue of the goddess of 8mm movies in his home, and he always prays before filming, and when editing, he places it above the viewer to be watched over by the goddess. He is a devout believer who goes about his work. One day, the goddess appears in his dream, complains to him about the plight of 8mm film, and orders him to independently produce 8mm film.

The dialogueless journey of a carjacker, his young lover and the doll she created, in a world made of city ruins, blue dawns and red dusks. The film material was originally shot in 1998 on 8mm and later blown up to 16mm. Ever since, as the colour dyes faded and the years passed, the film hadn't been edited into its final form. Almost 30 years later, "Like a Heavenly Edge" was screened publicly for the first time at LA CAMERA in Shimokitazawa.

This is a film about a medium approaching extinction, an 8mm documentary film about a vanishing 8mm cinema. Blending two genres, the science film and the personal film, and benefiting from the participation of multiple generations of cineastes, it is a reflection upon the original cinematic experience.

Unidentified people appear around the protagonist, Mr. M. No matter how many times he wakes up, he cannot escape from his dream. In a speeding, deserted subway, Mr. M falls asleep again. This is Yamazaki's second work in his filmography. Reflecting on the fact that his first 8mm drama, "The Melancholy of Poplar Trees," was less than a school play, he decided to make this film to see how much he could do within his own field of expertise. He unashamedly quotes various films, including Masanobu Nakamura's "Autumn in Beijing". An interesting precursor to his works " Anti-Interpretation" "Memories of the Seaside," and "Ghosttown at Dawn". This filmwork won the Student Encouragement Award at the 1980 Fuji 8mm Contest.

8mm short film by Mikio Yamazaki.

A documentary on the Associations of Silverpencils screening hosted in Higashimurayama. The Film features 8mm films and interviews.

One day, middle-aged man Estan meets Nui, a woman who has lived for 20,000 years. The mysterious journey of Nui and Estan begins, using arrowheads to collect the emotions of humans in the past.