The Kidnapping

Elizabeth, after being rejected by her father, seeks revenge by manipulating a young pianist.

A story of redemption, drama and action, where only love can overcome all obstacles.

Román, Marco and Luis, three 25-year-old young people from the lower class prove that destiny can change their lives in 24 hours. During a weekend of partying, they find themselves involved in a dizzying journey of drugs, alcohol, sex and rock that leads them to experience extreme situations of life or death, robberies, clandestine fights, where dreams change into a terrible and hopeless nonsense reality.

Mario and Karla are a beautiful young couple with a seemingly normal relationship. Without warning, madness and jealousy consume Miguel, transforming him into a serial killer.

Iván lives in a small apartment in a large building. Resigned to observing a world in which he has little part, he believes that the only thing worth waiting for is to wait. An unexpected encounter with Alma will once again give him the opportunity to reconsider everything that he had considered real until then.

A university professor on the verge of divorce and a new life is confronted with a series of encounters that make him doubt his desires — and reality.

Memory is an image projected onto the smoke of emotions.

Five AM, the streets still empty; Puebla seems like a ghost town. Office buildings wait in silence, factories lie in apparent quiet, churches closed, machines asleep, stores have their shutters down—until like an alarm clock, underscoring the city's deep religiosity, the bell towers ring out as if answering one another, waking the people. The symphony begins. A contemporary portrait of Puebla, contrasting modern development with its heritage and the everyday lives of its inhabitants. Inspired by avant-garde film theories, such as the urban symphonies of Vertov and Ruttmann, the film captures the essence moving forwards. This documentary aims to show the daily life of a city that grows every day as it pursues its vision of modernity, gradually forgets its colonial past and discards what no longer fits into new models of life in Poblano society.