Grrr

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

Looking for a project that will bring them closer together, father and son incubate eggs as if trying to incubate a bond. Enzo oscillates between childhood and early adolescence, while Sebastián struggles with his own life and his difficulty in being a father.

Collective film made from digitalized footage from the collection of Argentinian nitrate films of the Museo del Cine Pablo Ducrós Hicken, made on the occasion of its anniversary.

A mystical place, an enchanted story: A group of knights, imported directly from the Middle Ages, go ashore on the banks of the Río de la Plata. They are searching for a grave where they wish to perform a ritual. As they pass through the jungle, things happen that cause them to land in the present day. They have sex, find a car, enjoy a sunset with beers in their hands. Then an announcement comes over the radio that makes everything appear in a different light, and there’s no going back.