Urban Guerillas

Thomas Arslan's second feature film and part of his Berlin trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the everyday life, domestic conflicts, dreams, and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.

The paths of Resul, a blind sculptor who served time for murder; Kader, a famous actress; Fazıl Bir, a deranged director who turned into a human bomb in order to force Kader to star in his film; Güngör, a hard-working classical musician; and Muhtar, Güngör's incompetent manager who caused him to become a loser, intersect at a French restaurant called Le Chic , and within 15 minutes, a series of extraordinary events unfold and come to a head.

Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.

Jacky (30), who lives in Berlin, falls into a deep void after the death of her mother and losing her job. Unable to succeed in her attempt to commit suicide, she decides to hire a hitman. Unbeknownst to her, she meets Çello (33), the killer assigned to commit murder. Çello and Jacky fall in love with each other. The loving couple decides to go into hiding, but their happiness doesn’t last long. A major confrontation takes place at Madam Bora’s Pissoir Bar.

A documentary about the integration and lifestyle of Turks who immigrated to Germany, especially young people, who are defined as the third generation today. The film contains a wide range of perspectives ranging from hip hop artists to businessmen, retired workers to film directors.